Okay, I admit I'm stealing this idea from my second favorite bassist in the world, Tony Levin, but since it's been over a week since I've blogged and so many cool things have happened, I'm going to start with last night and work my way backwards. But first, we all know my #1 bassist is:
Julie Slick, who hopefully one of these days will sit down with our brilliant webmaster and finish her website...and as I've already written in previous posts, Julie heads down to Nashville tomorrow to Adrian Belew's studio for several days leading up to their June 10 gig at the Riverbend Festival...she is going to be making all kinds of magic there and hopefully fulfilling the dreams of a lot of Ade's fans.
Oh yeah, one more thing I want to shout from the rooftop before I launch into my blog in reverse, if you are anywhere near the Philadelphia/Bucks County area, mark June 20 on your calendar, and I will naturally be promoting this big time over the next three weeks, but following his 1:30 performance with Oblivion Sun at NEARfest, both Julie and Eric will be the special guests of the California Guitar Trio at the Sellersville Theater at 8:00 p.m. that night, performing several songs with the band including one from Pink Floyd and another from King Crimson...and that's just a little tease.
As I said, more on that in future posts but it's going to be AMAZING.
Oh wait, if I am doing this correctly, I should really start with today and my crazy brilliant drummer son, Eric Slick, who, because he does not already have enough to do, is in the studio today from noon until 5:00 p.m. recording with Tom Hamilton and the American Babies; then he heads over to a jam with David Fishkin and I just tried to find where and when that is via Google and MySpace and failed. If I talk to Eric at any point today and find out the details, I'll come in and edit.
**Okay, I did find out the details of Eric's gig tonight - see ETA at the bottom of this post.
Here's a recent pic of crazy Eric on tour last month:
Anyway...
Last night, Eric went with me to the Highline Ballroom in New York City to see a bunch of my friends read from Smith Magazine's Six Word Memoirs.
I was able to lure him there as my partner in crime because headlining the show was the absolutely hilarious Eugene Mirman from Flight of the Conchords, one of the funniest comics ever, Todd Barry...and someone Eric met while he was still in high school and I have an autographed copy of her book on my shelves to prove it, author Amy Tan. Oh, as a totally wild side note because I'm afraid I'll leave this part out in all of the other excitement, Amy read a very funny piece on email etiquette -- well, really, she related that she pondered quite extensively on how to sign an email, and oddly enough, and after much debate and what appears to be quite the internal struggle on her part, I learned she signs her email the same way I do -- xoxo
I never gave my sign-off any thought at all. xoxo just seemed a good a way as any. I wasn't about to use "ciao" or "Very truly yours" in a freaking email. Amy even analyzed whether to do it xxxooo or ox (no wait, I think I just made that part up and if I did, Amy, you should steal it. The "ox" part I mean. I know you had a problem with how many x's and o's to use).
When I first bought tickets for last night, I was going because my pals Susan Henderson, Ellen Meister, and Joe Maida were reading (oh...let me qualify Joe...he's really Eric's friend/fan, too and a major friend of Ween but then the two of us starting emailing about music, kids, etc. etc. so now Eric and I both have custody of Joe) and two people I really wanted to meet would also be in the audience, brilliant author Luis Urrea and his beautiful wife, Cindy. Ha ha...last night I also learned that while I met the Urreas through my blog, which I already knew, I thought it was because they stumbled on my writing...here, it turns out Luis is a huge Adrian Belew fan and he found me while googling Adrian. Score another one for Eric.
Then, after I'd already bought tickets, on Thursday a little blurb appeared on Twitter from Amanda Palmer, that she was the surprise musical guest. Now, we all know I'm a huge Neil Gaiman fan, and if you are also a fan of either Amanda or Neil, and you've read their blogs and seen the amazing photos of the two of them by Kyle Cassidy you also know they are now officially "out" as a couple and that yes, Neil was already in New York for Book Expo America, the opening of Coraline the musical, and a joint show with Amanda in NYC on June 3. Would Neil be in the audience as well? If I saw him would he say hello and would I have a chance to redeem myself after our great embarrassing (well, to me as a slobbering fan girl) meet-up of a couple of years ago? Ha ha, trust me, I'm over that, had a couple of fun email exchanges with him since, and recently even had a twitter or two with him...in fact, just the other day he wrote "@neilhimself:@RobinSlick I watched the Why We Wax film, and you were not only in it, but you were wearing a Death shirt! Was very impressed."
I just realized something - I'm going to have that made into a Twitter t-shirt. But only if they will make it for me in black with white lettering.
But seriously, I had already bought my tickets before the Amanda Palmer announcement and was really looking forward to seeing Susan, Ellen et al and meeting Luis and Cindy, especially the latter as they were just in Philadelphia for a reading at the Free Library, which is literally blocks from my house, and I was still suffering from the great dental debacle and couldn't make it. And I was teasing Eric the whole time about the surprise musical guest...he knew of Amanda but had never seen her live and I knew he'd be interested but I didn't let on who it was until we were actually at the Highline.
Normally, because I am both nearsighted even with expensive contact lenses and neurotic, I would have gotten there at 6:00 p.m. when the doors opened to snag a seat right in front and do the happy hour thing but Eric had to teach so we literally got there about 10 minutes before the show started. Ellen immediately found us and even though we've been friends for years, she had never met Eric so I did the proud mom thing, and then I really got my chance because Cindy Urrea found us as well and I finally got to meet Luis and even more importantly, he got to meet Eric (xo) and then he said "I saw Neil and Amanda walking around holding hands".
I think it's pretty safe to say that anyone who reads my blog knows that little comment made me smile in a big way and Eric nervously glanced at me like I once again made him my accomplice in something awful and humiliating. (When I met Neil a couple years ago, I dragged Eric with me and then I insisted he take our picture together --Neil and yours truly, that is -- and I don't know that Eric has forgiven me yet for that oh so totally uncool moment.)
But already having met Ellen and Luis and also being greeted by Joe, our friend from Ween, I quickly dispelled Eric's fears by pointing that out.
But he still looked at me warily, and then, as luck would have it, when the show started in what was now a standing room only venue, I realized we were, well, standing, right next to Neil and Amanda! Eric shot me a look like "Don't you dare!" and on the other side of me, Ellen was urging me to say Hello. I kind of wanted to introduce Eric to Amanda, actually, because I know she is a big Trent Reznor fan and figured she knew Eric's "boss", Adrian Belew, and trust me, if I had my wits about me, I would have, but what did I blurt out instead when I saw them?
"I'M TELLING THE INTERNET!"
Amanda heard what I said right away and turned around and flashed me a huge smile, but Neil, who was standing right behind her and holding her and Oh.My.God are those two in love...they just radiate and are so perfect for each other it's a thing of beauty...anyway, Neil didn't turn around because he probably figured I was some weirdo fan...well, wait, I am a weirdo fan so that part may be true...oy....but you know, he stared straight ahead in the way celebrities do when they are out enjoying a night off and really don't want to make eye contact or talk to a stranger but ha ha, this is me we are talking about, I'm not a stranger! However, I decided if I bothered him again it would be the most unhip, cheesy thing I ever did and even though I knew he would be friendly if he realized it was me, I just could not bring myself to say anything else.
But then Susan Henderson came over to us, and Sue did the incredible interview with Neil on her website...I had "introduced" them in cyberworld, now I had no choice but to introduce them in the real world, but that meant I had to talk to him! Oh God. Would Eric refuse to ever go out in public with me anywhere again let alone hip clubs in New York City? Thank God for Ellen, whom I love dearly, because she doesn't put up with idiotic behavior. She stepped in and even though she doesn't know him, tapped Neil on the shoulder...he turned...saw me, smiled broadly (yeah!) I quickly introduced Sue...and then...and then...he kissed both of us on the cheek.
I wish I could say I'm never washing my face again but even I'm not that much of a lunatic.
And truth to tell, I have an even bigger crush on Luis Urrea. (Hi, Cindy!)
Seriously, Neil is so totally sweet and I did not bother him at all after that...I mean, we may have chatted briefly only I don't even remember what I did say to him because suddenly the two Ketel and clubs I drank on an empty stomach slammed me and after whatever conversation we did have, I happily returned to listening to the extremely entertaining show.
Amanda was great - she played her ukulele and performed a new one she wrote, Dear Old House That I Grew Up In, and a fantastic cover of Radiohead's Creep...in fact, here's a recent You Tube of that...but first, did I mention that Neil stood next to Eric the whole time Amanda played? Yep. I snuck a look at him...Neil, that is...he was mesmerized and that is one love sick puppy. It's so cute!
Okay, enough of that. Here's Amanda and this was from Coachella a few months ago. Damn I wish the Adrian Belew Power Trio had played that gig! Maybe next year?
The Smith Magazine part of the show in which my friends took part was absolutely fabulous! Larry and Rachel from Smith shouted out a name and each writer came running up to the mic and read his/her six word memoir. Some were laugh out loud funny; some were a little sad...all were fantastic. I was wondering how the hell they were going to pull that off and they really, really did an awesome job.
Sooo..I think that covers today and last night.
Let's see. Earlier in the week, I wrote. And wrote. And realized that my Young Adult book contains the word "fuck" 37 times in under 100 pages. Clearly, I either need to find another word or abandon the idea that I can ever write anything young adult. I will try and figure this out over the course of the next several days, in between dealing with an ongoing fucking dental nightmare which I can't even blog about; it's too painful both physically and emotionally. Bleh.
Oh, I know. Still in reverse mode, I can tell you about Monday. Memorial Day, that is. As is the usual Slick family custom, we went to Ocean City, New Jersey for the day, and there were no significant others involved. It was like we were transported 10 years back into time. Donuts for breakfast, a surrey ride, miniature golf, pizza from Mac and Manco's, and then home before traffic picked up, only we were too late for that and sat in gridlock for hours but I was too happy to have a panic attack so I somehow made it through that without freaking out and...oh enough, here's some photos from that fabbo day:
So I'm pretty sure that was my week, but if I remember anything else or find out where the hell Eric is playing tonight with David Fishkin (he's a sax player), I'll be back.
**ETA: Just talked to Eric..his gig tonight is at Big Rock Candy Mountain, 1822 North Hancock Street, Philadelphia, PA at 9:30 p.m. and admission is FREE
And if you want to follow any of us mentioned in this post on Twitter, here's the official list:
Me: @robinslick
Eric: @mrericslick
Luis and Cindy Urrea: @urrealism
Ellen Meister: @ellenmeister
Susan Henderson: @litpark
Joe Maida: @mightyboognish
Amanda Palmer: @amandapalmer
Neil Gaiman: @neilhimself (as if the world doesn't already know that)
Later,
xo
Sunday, May 31, 2009
Friday, May 22, 2009
Odds and Sods for Friday, May 22, 2009
Okay, listen up - tonight there's going to be an awesome show at the North Star Bar in Philadelphia:
Yes, Julie's boyfriend, Matt, is the bassist for Cheers Elephant and yes, she produced both their first and upcoming new CD, but tonight, Eric Slick will be sitting in on drums with the band and that's going to be a blast. "It's a family affair..." Who sung that again? Oh well, who cares. Not me. I'm in full holiday mode today and ready to have some serious fun this weekend. Wait. It was Sly and the Family Stone, wasn't it? I loved him but how fucking demented did he get in his old age. Whoa. Pretty fucking demented. I had to hit Google, because for a minute, I wondered if he died last year but found this instead:
"Reemergence
On Sunday, January 14, 2007 Sly made a short guest appearance at a show of The New Family Stone band he supports at the House of Blues.
On April 1, 2007, Stone appeared with the Family Stone at the Flamingo Las Vegas Showroom, after George Wallace's standup act.[2]
On July 7, 2007 Stone made a short appearance with the Family Stone at the San Jose, CA Summerfest. He sang "Sing a Simple Song" and "If You Want Me to Stay," and walked off stage before the end of "Higher." He wore a baseball cap, dark glasses, a white hooded sweatshirt, baggy pants and gold chains. Stone, who took the stage at about 8:45 p.m., cut the set short, in part, because the promoter was told that the show had to end by 9:00. The band began their set over 90 minutes late reportedly because the stage management was poor and the promoter's band played for 30 minutes longer than scheduled. Sly's 15-minute set came only after his sister, Vet, and the rest of the band performed for 35 minutes. As he exited the stage he told the audience near the front of the stage that he would return. He did return, but only to tell the crowd that the police were shutting down the show. While many blamed Stone for this incident, others believed that the promoter was at fault.
The same scenes were repeated at the Montreux Jazz Festival on the 13th July 2007 with over half the sold-out venue walking out in disgust even earlier than his stage exit.
The same happened again one day later at the Blue Note Records Festival in Ghent, Belgium. Here he left the stage after saying to the audience that "when waking up this morning he realized he was old, and so he needed to take a break now". He did the same again one day later, performing at the North Sea Jazz Festival.
But as the tour progressed, Sly seemed to be more confident and animated, often dancing and engaging the audience. By the time the tour rolled into Paris, things appeared to be improving, and Sly sporting an afro and a headband, performed an energetic and absorbing show, with one his finest performances of "Family Affair." At the Bournemouth gig, Sly performed a feat many of his detractors would not have believed possible. During the performance of "I Want To Take You Higher," he prowled the edge of the stage, and jumped off into the photographers pit, provoking roars of approval. He performed soulful versions of Stand, "I Want To Take You Higher", "Sing A Simple Song", "If You Want Me To Stay", and "Thank You (Falettinme Be Mice Elf Agin)", (which at one point morphed into "Thank you For Talkin' To Me Africa", a track rarely performed in public). But the show was marred by sound problems and the vocals were barely audible through much of the show.
On January 4, 2009, Stone appeared briefly at the George Clinton & Parliament Funkadelic concert at the House of Blues, Las Vegas. He appeared dressed in what appeared to be a children's spiderman costume. Once he took off his mask, he had a large gray mohawk and a smile on his face. He sang a few songs and hit a few notes on the keyboard and then disappeared. Some people in the audience were chanting "Bootsy!" because some people thought that's who he was...but George Clinton introduced him as Sly Stone and everyone immediately knew that it wasn't Bootsy."
Okay, enough of that. And I said I didn't care.
Getting back to me...
Last night was pretty wild, too. I went to a 68th birthday party bash for Bob Dylan and a bunch of local musicians played his covers to honor him. I drank Ketel One and club soda for most of the night so it all sounded good to me and regrettably, I do not remember much after the first hour or two.
Speaking of birthdays, Eric's was INSANE. Even if you are not a vegan, you really need to eat at Horizons. One of the best meals I've ever had in the U.S.
In other news, we now have some idea of what the next few months will be like: Julie heads to Nashville from June 1 to June 11 to work at Studio Belew; Slick Daddy will be flying down for a visit June 5-7; the new studio Adrian Belew Power Trio CD "e" is in very secret hands on the west coast where it will be joined by Adrian himself for four days next week....Eric has a bunch of gigs as usual as the Riverbend Festival approaches on June 10, but he'll be down in Nashville on June 9, play the show, then head for Bonnaroo where he'll be performing every night...details to follow...both Julie and Eric are doing a special gig with a very special band and I'm not sure if I can announce that yet or not; Eric is playing NEARfest on June 20, then the Adrian Belew Power Trio will set off on tour from July 17-August 1 and from August 20-September 2...so far...as soon as I have the details, so will you.
And as for me, yes, me again, it is my blog, I am enjoying a much needed break from the world and have returned to full-time writing in a big way...working on two books simultaneously and will be taking it a minute at a time...
So be well and have a great holiday weekend. If I get any cool news, I'll be back.
Later,
xo
Yes, Julie's boyfriend, Matt, is the bassist for Cheers Elephant and yes, she produced both their first and upcoming new CD, but tonight, Eric Slick will be sitting in on drums with the band and that's going to be a blast. "It's a family affair..." Who sung that again? Oh well, who cares. Not me. I'm in full holiday mode today and ready to have some serious fun this weekend. Wait. It was Sly and the Family Stone, wasn't it? I loved him but how fucking demented did he get in his old age. Whoa. Pretty fucking demented. I had to hit Google, because for a minute, I wondered if he died last year but found this instead:
"Reemergence
On Sunday, January 14, 2007 Sly made a short guest appearance at a show of The New Family Stone band he supports at the House of Blues.
On April 1, 2007, Stone appeared with the Family Stone at the Flamingo Las Vegas Showroom, after George Wallace's standup act.[2]
On July 7, 2007 Stone made a short appearance with the Family Stone at the San Jose, CA Summerfest. He sang "Sing a Simple Song" and "If You Want Me to Stay," and walked off stage before the end of "Higher." He wore a baseball cap, dark glasses, a white hooded sweatshirt, baggy pants and gold chains. Stone, who took the stage at about 8:45 p.m., cut the set short, in part, because the promoter was told that the show had to end by 9:00. The band began their set over 90 minutes late reportedly because the stage management was poor and the promoter's band played for 30 minutes longer than scheduled. Sly's 15-minute set came only after his sister, Vet, and the rest of the band performed for 35 minutes. As he exited the stage he told the audience near the front of the stage that he would return. He did return, but only to tell the crowd that the police were shutting down the show. While many blamed Stone for this incident, others believed that the promoter was at fault.
The same scenes were repeated at the Montreux Jazz Festival on the 13th July 2007 with over half the sold-out venue walking out in disgust even earlier than his stage exit.
The same happened again one day later at the Blue Note Records Festival in Ghent, Belgium. Here he left the stage after saying to the audience that "when waking up this morning he realized he was old, and so he needed to take a break now". He did the same again one day later, performing at the North Sea Jazz Festival.
But as the tour progressed, Sly seemed to be more confident and animated, often dancing and engaging the audience. By the time the tour rolled into Paris, things appeared to be improving, and Sly sporting an afro and a headband, performed an energetic and absorbing show, with one his finest performances of "Family Affair." At the Bournemouth gig, Sly performed a feat many of his detractors would not have believed possible. During the performance of "I Want To Take You Higher," he prowled the edge of the stage, and jumped off into the photographers pit, provoking roars of approval. He performed soulful versions of Stand, "I Want To Take You Higher", "Sing A Simple Song", "If You Want Me To Stay", and "Thank You (Falettinme Be Mice Elf Agin)", (which at one point morphed into "Thank you For Talkin' To Me Africa", a track rarely performed in public). But the show was marred by sound problems and the vocals were barely audible through much of the show.
On January 4, 2009, Stone appeared briefly at the George Clinton & Parliament Funkadelic concert at the House of Blues, Las Vegas. He appeared dressed in what appeared to be a children's spiderman costume. Once he took off his mask, he had a large gray mohawk and a smile on his face. He sang a few songs and hit a few notes on the keyboard and then disappeared. Some people in the audience were chanting "Bootsy!" because some people thought that's who he was...but George Clinton introduced him as Sly Stone and everyone immediately knew that it wasn't Bootsy."
Okay, enough of that. And I said I didn't care.
Getting back to me...
Last night was pretty wild, too. I went to a 68th birthday party bash for Bob Dylan and a bunch of local musicians played his covers to honor him. I drank Ketel One and club soda for most of the night so it all sounded good to me and regrettably, I do not remember much after the first hour or two.
Speaking of birthdays, Eric's was INSANE. Even if you are not a vegan, you really need to eat at Horizons. One of the best meals I've ever had in the U.S.
In other news, we now have some idea of what the next few months will be like: Julie heads to Nashville from June 1 to June 11 to work at Studio Belew; Slick Daddy will be flying down for a visit June 5-7; the new studio Adrian Belew Power Trio CD "e" is in very secret hands on the west coast where it will be joined by Adrian himself for four days next week....Eric has a bunch of gigs as usual as the Riverbend Festival approaches on June 10, but he'll be down in Nashville on June 9, play the show, then head for Bonnaroo where he'll be performing every night...details to follow...both Julie and Eric are doing a special gig with a very special band and I'm not sure if I can announce that yet or not; Eric is playing NEARfest on June 20, then the Adrian Belew Power Trio will set off on tour from July 17-August 1 and from August 20-September 2...so far...as soon as I have the details, so will you.
And as for me, yes, me again, it is my blog, I am enjoying a much needed break from the world and have returned to full-time writing in a big way...working on two books simultaneously and will be taking it a minute at a time...
So be well and have a great holiday weekend. If I get any cool news, I'll be back.
Later,
xo
Friday, May 15, 2009
Happy Birthday Eric Slick!
Well, I'm officially old. My "baby" is twenty-two years old today.
Happy Birthday, Eric!
And in case you are a new reader to this blog, the official INSANE story of Eric's actual birth can be found right here. Sadly, I did not embellish one fact...in fact, I actually toned it down to make it more "politically correct".
So our gift to Eric is a brand new double bed and mattress for his new place in the Graduate Hospital area (the lucky bum)...hardwood floors throughout, brand new state of the art kitchen, three stories with finished soundproof studio basement...wait...what the fuck am I, his real estate agent? Ha ha, I'm just excited for him, and oddly enough, today is also his official moving day.
And to top off the festivities, tonight the family is taking him to dinner at Philadelphia's premier vegan restaurant, Horizons, where we'll be dining on:
Starters:
Florida Corn "Sopa De Tortilla" charred poblano broth, avocado, tortilla stix
Smoked Portobella Carpaccio black olive blini, rosemary mustard, crispy capers
Exotic Mushroom Fritters hearts of palm and tomato stew, saffron aioli
Salt Roasted Golden Beet Duo sliced with house smoked tofu on rye.
Tartare with seaweed caviar and cucumber dill sauce
Jamaican BBQ Seitan jicama slaw, smoked chipotle dip
Spanish Chopped Salad smoked tofu, avocado, hearts of palm, cured and green olives, red onion, patatas bravas grilled lemon- caper dressing
Red Leaf Salad lolla rosa, grilled green onions, roasted pears, pistachio vinaigrette
Entrees:
Pan Seared Peppercorn Tofu curry creamed spinach, garbonzo crepe with hearts of palm chick pea stew, cucumber coriander chutney
Grilled Seitan yukon mash, grilled spinach, horseradish cream and roasted red pepper tapenade
Mushroom Pub Plate - wood grilled portobella with grain mustard sauce stuffed deviled oyster mushrooms pickled beech mushrooms creamy maitakes and peas over truffled celery root puree
Catalan Tempeh braised black beluga lentils
Spanish salsa verde smoked eggplant-stuffed piquillo. preserved lemon aioli
Pacific Rim Grilled Tofu spicy gochujang glaze, korean fried rice,edamame puree, smoked miso glaze
Dijon seitan and cauliflower terrine. grilled royal trumpet mushrooms sauteed brussels sprouts, baby turnips and lettuce roasted rutabaga salad
Sides And Small Plates
Maitake mushrooms with rosemary and miso
Grilled spinach with preserved lemon aioli
Fresh trofie pasta with garlic and truffle oil
Baked potato fries with chipotle dip
Brussels sprouts and tokyo turnips with mustard cream, curried garbanzos with rice and chutney
Desserts:
Key Lime Cheesecake mango ceviche
Chocolate Mousse mac nut cookies
Coconut Cupcake pineapple gazpacho
Saffron Creme Brulee with lemon-hazelnut cookies
Chocolate Peanut Butter Bomb with peanut butter ice cream
How's that for some vegan food porn? I'll try and remember to take some pictures for my next post.
So Happy Birthday, Eric Slick...you are in fact the man...and oh yeah, here's another tease...what Friends of King Crimson band will both Julie and Eric join on stage for a Philadelphia area show next month? Stay tuned....
Later,
xo
Happy Birthday, Eric!
And in case you are a new reader to this blog, the official INSANE story of Eric's actual birth can be found right here. Sadly, I did not embellish one fact...in fact, I actually toned it down to make it more "politically correct".
So our gift to Eric is a brand new double bed and mattress for his new place in the Graduate Hospital area (the lucky bum)...hardwood floors throughout, brand new state of the art kitchen, three stories with finished soundproof studio basement...wait...what the fuck am I, his real estate agent? Ha ha, I'm just excited for him, and oddly enough, today is also his official moving day.
And to top off the festivities, tonight the family is taking him to dinner at Philadelphia's premier vegan restaurant, Horizons, where we'll be dining on:
Starters:
Florida Corn "Sopa De Tortilla" charred poblano broth, avocado, tortilla stix
Smoked Portobella Carpaccio black olive blini, rosemary mustard, crispy capers
Exotic Mushroom Fritters hearts of palm and tomato stew, saffron aioli
Salt Roasted Golden Beet Duo sliced with house smoked tofu on rye.
Tartare with seaweed caviar and cucumber dill sauce
Jamaican BBQ Seitan jicama slaw, smoked chipotle dip
Spanish Chopped Salad smoked tofu, avocado, hearts of palm, cured and green olives, red onion, patatas bravas grilled lemon- caper dressing
Red Leaf Salad lolla rosa, grilled green onions, roasted pears, pistachio vinaigrette
Entrees:
Pan Seared Peppercorn Tofu curry creamed spinach, garbonzo crepe with hearts of palm chick pea stew, cucumber coriander chutney
Grilled Seitan yukon mash, grilled spinach, horseradish cream and roasted red pepper tapenade
Mushroom Pub Plate - wood grilled portobella with grain mustard sauce stuffed deviled oyster mushrooms pickled beech mushrooms creamy maitakes and peas over truffled celery root puree
Catalan Tempeh braised black beluga lentils
Spanish salsa verde smoked eggplant-stuffed piquillo. preserved lemon aioli
Pacific Rim Grilled Tofu spicy gochujang glaze, korean fried rice,edamame puree, smoked miso glaze
Dijon seitan and cauliflower terrine. grilled royal trumpet mushrooms sauteed brussels sprouts, baby turnips and lettuce roasted rutabaga salad
Sides And Small Plates
Maitake mushrooms with rosemary and miso
Grilled spinach with preserved lemon aioli
Fresh trofie pasta with garlic and truffle oil
Baked potato fries with chipotle dip
Brussels sprouts and tokyo turnips with mustard cream, curried garbanzos with rice and chutney
Desserts:
Key Lime Cheesecake mango ceviche
Chocolate Mousse mac nut cookies
Coconut Cupcake pineapple gazpacho
Saffron Creme Brulee with lemon-hazelnut cookies
Chocolate Peanut Butter Bomb with peanut butter ice cream
How's that for some vegan food porn? I'll try and remember to take some pictures for my next post.
So Happy Birthday, Eric Slick...you are in fact the man...and oh yeah, here's another tease...what Friends of King Crimson band will both Julie and Eric join on stage for a Philadelphia area show next month? Stay tuned....
Later,
xo
Thursday, May 07, 2009
Odds and Sods for Thursday, May 7, 2009
Well, life is never dull around here. There's all kinds of cool stuff going on.
Photo of the Adrian Belew Power Trio by Gary Slick, taken in Milwaukee, WI on 4/18/09
In case you haven't heard, in addition to his drumming duties with the Adrian Belew Power Trio, Project Object, and Crescent Moon, Eric Slick is now the new drummer for Oblivion Sun. He will be making his debut with the band on Saturday, June 20, 2009 at NEARfest in Bethlehem, Pennsylvania. Meanwhile, regarding Oblivion Sun, there's been some really wonderful comments about Eric on the Progressive Ears Forum Board under "...and the new drummer is..."
Here's something else so cool I can't take it. What member of King Crimson...and I'm not saying who it is or whether it's a current or former member...contacted Eric and now the two of them are going to record a CD of original music together at either the end of this year or beginning of next to have available ASAP in 2010? Nope, I'm not telling, you'll just have to wait. All I know is, when Eric told me about it and who it was, I was pretty damn stoked. To say this is going to be mind-blowing is putting it mildly. Crimson fans all over the world are going to rejoice! (Insert winking smiley face emoticon here) Oh, okay. I'm well aware that I'm such a groupie mom it's nauseating but since this is my blog, I can do what I want and again I will reiterate that I have been a music groupie since like, age 12. But trust me, I've got a real reason to be excited.
And speaking of real reasons to be excited! Next month marks the release of the first Adrian Belew Power Trio studio CD - the extraordinary "e". Just listening to the rough mix sends chills up my spine. How fucking lucky am I?
So at age 22 -- well, he's still 21 but his birthday is next Friday, May 15 -- and it's crazy how many drummers are born in May: Bill Bruford, John Bonham, Alex Van Halen, Gavin Harrison, Billy Cobham, Danny Carey, Phil Selway, Alan White, Butch Trucks -- Eric has the world's most amazing life.
And now for something completely different, here's a You Tube that just popped up - Eric doing a jazz/rap gig at World Cafe Life with Bodega on April 20, 2009...
By the way, that's Jay-Z's trombone player - Aaron Goode, who also plays for Jill Scott and John Legend.
Julie has some cool news, too. She is busy producing the new CD for Cheers Elephant; then she is going down to Nashville the week after next to Casa Belew to do a whole bunch of secret stuff involving computers and studio equipment and Proud papa Gary Slick is going with her for purposes of...sorry...lips sealed again. Gah! Don't you just hate that?
By the way, Cheers Elephant is playing a very special show tonight at Kung Fu Necktie and if you are in the Philadelphia area, I cannot recommend this gig enough. Cheers Elephant is by far the very best original band to come out of the former students/graduates of the School of Rock and I predict major success for them in the very, very near future. Well, not all the guys are from SOR - but bassist Matt Rothstein, Julie's significant other, was one of the original students and vocalist and lead guitarist Jordan del Rosario teaches at one of the branches.
Moving on...
Another thing I wanted to mention was the absolutely fabulous gifts we have been receiving from Adrian Belew Power Trio fans. I am pretty sure I've written here about this already, but as our Christmas gift, uber fan and friend Rena Fay, a/k/a Tickledrop, painstakingly recorded every single You Tube of Ade, Julie and Eric and presented each of us with a set of three DVDs, all beautifully packaged with photographs...we watch them non-stop and it's really cool to see the changes in the band since they first got together three years ago and up to the present. Yep, three years. This month is their anniversary. Can you believe it?
While on this most recent tour, they were given these handmade woodcuts by Phil Bates. Here. We took pictures. Are these incredible or what? Phil, I tried to find a website for you so I could link your work but I struck out. If you are reading this and email me, I'll gladly take care of that.
Then last week, a box arrived via special delivery from Bill Randolph, and when we opened it up, look what was inside! (And Bill - same deal. If you are reading this and want to send me a link, I will be more than happy to put it here)
I don't know if you can see what the label on the hot sauce bottle says, but it's hilarious. "Slick & Slick Hot Sauce -- It's Like Music In Your Mouth".
Love it.
Hey, my life isn't half bad, either. You know that cool little documentary I'm in -- erm, the one that has been winning awards all over the world? Exciting news coming on that front...I have heard from a pretty accurate source that there is, a, um, strong possibility you will all be able to see me in the comfort of your own homes. Robin Slick on plasma! Anyway, I didn't even know about this but when the movie was shown in Amsterdam, they did a really cool little film of the premier along with a trailer and yep, I'm in it alright...both at the beginning and toward the end and it's hilarious. I even have an IMDB listing here and here for both that and the other *cough* award winning short film (it's true) based on Daddy Left Me Alone with God. They have a big screen (well, kinda big) version up of that film right here but I digress -- here's the clip from Amsterdam:
Okay, I think that covers the news for today...I've got to end this post now. Places to go, people to see, blah blah blah...busy, busy, busy.
Later,
xo
Photo of the Adrian Belew Power Trio by Gary Slick, taken in Milwaukee, WI on 4/18/09
In case you haven't heard, in addition to his drumming duties with the Adrian Belew Power Trio, Project Object, and Crescent Moon, Eric Slick is now the new drummer for Oblivion Sun. He will be making his debut with the band on Saturday, June 20, 2009 at NEARfest in Bethlehem, Pennsylvania. Meanwhile, regarding Oblivion Sun, there's been some really wonderful comments about Eric on the Progressive Ears Forum Board under "...and the new drummer is..."
Here's something else so cool I can't take it. What member of King Crimson...and I'm not saying who it is or whether it's a current or former member...contacted Eric and now the two of them are going to record a CD of original music together at either the end of this year or beginning of next to have available ASAP in 2010? Nope, I'm not telling, you'll just have to wait. All I know is, when Eric told me about it and who it was, I was pretty damn stoked. To say this is going to be mind-blowing is putting it mildly. Crimson fans all over the world are going to rejoice! (Insert winking smiley face emoticon here) Oh, okay. I'm well aware that I'm such a groupie mom it's nauseating but since this is my blog, I can do what I want and again I will reiterate that I have been a music groupie since like, age 12. But trust me, I've got a real reason to be excited.
And speaking of real reasons to be excited! Next month marks the release of the first Adrian Belew Power Trio studio CD - the extraordinary "e". Just listening to the rough mix sends chills up my spine. How fucking lucky am I?
So at age 22 -- well, he's still 21 but his birthday is next Friday, May 15 -- and it's crazy how many drummers are born in May: Bill Bruford, John Bonham, Alex Van Halen, Gavin Harrison, Billy Cobham, Danny Carey, Phil Selway, Alan White, Butch Trucks -- Eric has the world's most amazing life.
And now for something completely different, here's a You Tube that just popped up - Eric doing a jazz/rap gig at World Cafe Life with Bodega on April 20, 2009...
By the way, that's Jay-Z's trombone player - Aaron Goode, who also plays for Jill Scott and John Legend.
Julie has some cool news, too. She is busy producing the new CD for Cheers Elephant; then she is going down to Nashville the week after next to Casa Belew to do a whole bunch of secret stuff involving computers and studio equipment and Proud papa Gary Slick is going with her for purposes of...sorry...lips sealed again. Gah! Don't you just hate that?
By the way, Cheers Elephant is playing a very special show tonight at Kung Fu Necktie and if you are in the Philadelphia area, I cannot recommend this gig enough. Cheers Elephant is by far the very best original band to come out of the former students/graduates of the School of Rock and I predict major success for them in the very, very near future. Well, not all the guys are from SOR - but bassist Matt Rothstein, Julie's significant other, was one of the original students and vocalist and lead guitarist Jordan del Rosario teaches at one of the branches.
Moving on...
Another thing I wanted to mention was the absolutely fabulous gifts we have been receiving from Adrian Belew Power Trio fans. I am pretty sure I've written here about this already, but as our Christmas gift, uber fan and friend Rena Fay, a/k/a Tickledrop, painstakingly recorded every single You Tube of Ade, Julie and Eric and presented each of us with a set of three DVDs, all beautifully packaged with photographs...we watch them non-stop and it's really cool to see the changes in the band since they first got together three years ago and up to the present. Yep, three years. This month is their anniversary. Can you believe it?
While on this most recent tour, they were given these handmade woodcuts by Phil Bates. Here. We took pictures. Are these incredible or what? Phil, I tried to find a website for you so I could link your work but I struck out. If you are reading this and email me, I'll gladly take care of that.
Then last week, a box arrived via special delivery from Bill Randolph, and when we opened it up, look what was inside! (And Bill - same deal. If you are reading this and want to send me a link, I will be more than happy to put it here)
I don't know if you can see what the label on the hot sauce bottle says, but it's hilarious. "Slick & Slick Hot Sauce -- It's Like Music In Your Mouth".
Love it.
Hey, my life isn't half bad, either. You know that cool little documentary I'm in -- erm, the one that has been winning awards all over the world? Exciting news coming on that front...I have heard from a pretty accurate source that there is, a, um, strong possibility you will all be able to see me in the comfort of your own homes. Robin Slick on plasma! Anyway, I didn't even know about this but when the movie was shown in Amsterdam, they did a really cool little film of the premier along with a trailer and yep, I'm in it alright...both at the beginning and toward the end and it's hilarious. I even have an IMDB listing here and here for both that and the other *cough* award winning short film (it's true) based on Daddy Left Me Alone with God. They have a big screen (well, kinda big) version up of that film right here but I digress -- here's the clip from Amsterdam:
Okay, I think that covers the news for today...I've got to end this post now. Places to go, people to see, blah blah blah...busy, busy, busy.
Later,
xo
Tuesday, May 05, 2009
Decadent days in Orlando: The Romantic Times Convention 2009
So you know, you go to the Romantic Times Convention to meet and mingle with your readers, attend/speak at workshops, and go to a few faerie and vampire balls, and then, the big wrap-up, sell your books at Ye Olde Book Fair. In other words, you are supposed to be on your best author-like behavior. Meet me and my posse:
Okay, obviously I'm the one in front who hasn't learned proper posture yet, and behind me, going left to right, the following brilliant women: Author/artist Ash Arceneaux, editor Luci Calanor, author/artist Stella Price, and author Kayleigh Jamison. The five of us basically stuck together throughout the entire convention, with the exception of Saturday night, when Luci and Kay snuck over to the "dark side"...i.e., the cover model competition. More on that in a minute.
But first, here are some photos I took of our accommodations. Not too bad, huh.
The only real problem with our hotel was that the convention center was a hike from our "garden apartments" but they had these little golf carts you could call to transport you to and from. I was pretty lucky, though. My room not only faced the pool, but I was only three buildings away from said center so it was a five minute trip over various footbridges surrounding the lagoons and other than drunkenly getting lost my first night there and walking around the pool, oh, seven or a thousand times, I finally realized the buildings were numbered and I had in fact passed mine, Building 10, at least 50 times on my search...but after that...a piece o'cake.
So here's Stella, Kay, and yours truly getting together Stella's infamous goodie bags to give to unsuspecting readers at the first Book Expo on Wednesday night..and yeah, I know, corny and immature as hell, the finger gestures for whatever reason became my m.o. for almost every photo session. Why, why, why. Can I blame alcohol? Because yeah, that stuff flowed throughout the convention. You might think writers drink a lot or something. Sheesh.
Here's Ash and I having a glass of champagne at what had to be the absolute BEST party I have ever attended during all of my years at various RT Conventions, including the dastardly Faerie Ball and Vampire whatever. This was a private, catered pre-faerie ball affair thrown by the wonderful people at All Romance Ebooks. Okay, now I must go into food freak mode because it was an incredible spread. Huge, unbelievable shrimp. Skewers of roasted vegetables. Skewers of chicken and fresh pineapple. Sweet potato empanadas. Open faced mini prime rib sandwiches. Oh, and did I mention the champagne? It literally flowed. I was so buzzed when I left there I was like, fuck the faerie ball, but the others made me go. They were all dressed up, I chose to stay in jeans but as you can see by the below photo, I did make one concession - I traded my black t-shirt for a ruffled black blouse from Lucky Brand Jeans which I thought was way cool until I just saw that pic and realize I am so, so, so not a ruffle person. Looks like my daughter may be inheriting a new piece of clothing...
Because my room was closest to the "ball", my, um, posse decided to change in my room. It was like the Rocky Horror Prom Night Show. Since I was not getting dressed up, I sat back on the bed and watched, but when Ash took out her bra, it was hard not to (1) wonder how I could get it into the Guinness Book of World Records and (2) put it on my head because trust me, there was enough for two heads in that thing:
The five of us quickly realized that the food at the hotel was, well, awful, so we frequently went on jaunts to Orlando restaurants. I can't find a photo from the first night, but we ate at an amazing seafood restaurant where I had oak grilled salmon topped with lump crab meat and asparagus, swimming in a white wine sauce with baked, yes baked, french fries on the side. Sick, sick, sick. Anyway, you'll have to take my word for it since I didn't whip out my camera, but here we are at lunch...God forgive me, you know my stance on chain restaurants, but we ate at the Olive Garden and oddly enough, it was good. Of course I stuck to the pasta, salad and breadstick lunch and it's pretty hard to fuck that up...they were even kind enough to substitute whole wheat pasta for me, which, after looking at these photos, I clearly need and should have said "no" to the breadsticks but oh well, I was on vacation and the diet resumed when I got home.
At least in theory.
I'm also noticing I have a drink in my hand in many of the pics (P.S., if you visit Ash's site linked above, there are many, many more photographs and you will also see that this is where I've lifted most of these)
Like, I found this one on Ash's site - do not remember if it's from the Faerie or Vampire Ball but you get the point...i.e., why I wanted to blow them off.
Okay, this one was definitely from the Faerie Ball and why this guy is wearing a french maid costume I have no idea (because it belonged to his wife and she said "I'm sorry, I don't have any more faerie costumes but how about this?) but it seemed like a good photo op at the time. Remember, much alcohol consumed here...in fact, I don't even remember that pic.
Nor this one...but obviously I was beginning to fade. I'm just kind of staring at everyone, wondering WHAT THE FUCK AM I DOING HERE?
Oh, yeah, I remember. It's so I can meet and hang out with famous writers like New York Times best selling author Jacqueline Frank.
Remember when I mentioned the "dark side" as concerns two of my friends? Well, apparently Jackie took a walk over there as well...
I, however, am far too cerebral for that, choosing instead tofawn over hang out with brilliant author Barry Eisler.
Hey, Susan Henderson! Barry says Hello!
Oh look, yet another restaurant shot, this time with uber fan Andrea, and meeting her was one of the highlights of the trip. We seemed to share the same wardrobe...i.e., black t-shirts and jeans...throughout.
Finally, though, it was time for the big book sale/signing. After partying half the night away, it was a two fisted coffee morning for me.
Here's a shot of my author table at the Grand Ballroom where the book sale was held...pretty impressive swag, huh. Note to all of those of you to whom I promised guitar pic jewelry...I struggled like you would not believe to make those necklaces because I had grand plans of adding beads and crystals, etc. but it literally would have cost me $1,000 and about three months of my life. So I finally threw in the towel and improvised...i.e., just stuck the damn pics on some silk cord, and they actually came out awesome so I will be mailing them out to anyone wanting one this week.
Now this next photo makes me kind of famous - i.e., I made the front page of the official Romantic Times Blog:
"Bring On the Book Fair
This morning's book fair was a madhouse - tables of books galore, authors talking and taking pictures, and of course the readers. My roommate and I alone managed to buy a total of 37 books, give or take a few. Each of us went in with the intention of not loading up our arms, but neither of us managed to succeed.
Shortly after I was done at the book fair, I donated blood. Raz Steele held a blood drive, with all donors getting a copy of one of his books.
It was a fun experience, getting to chat with authors I missed during the previous few days, and catching up with the others. I made a point of finding some authors I hadn't already read and am looking forward to finding out how good they are."
And as you can see, I'm the first photo under that paragraph and she actually bought Daddy Left Me Alone with God ten minutes before the book fair opened to the public which was way, way cool.
After the book fair ended, naturally we were starving again. It was our last night there, and since Kay and Luci went over to the dark side along with our pal, Andrea, to vote on the best cover model and watch them strut up and down the "runway", Stella, Ash and I decided to have dinner at a nearby Japanese steakhouse and Ash got the hostess to take our pic for yet another restaurant Kodak moment.
Meanwhile, the entire time, I was feeling sicker and sicker. My head ached, my throat burned, and my stomach...well...let's just say I spent more time sleeping on the bathroom floor than in my bed. I thought for sure I was going to die on the flight home to Philadelphia the next morning, and I spent the next seven days sick as a dog in bed, pretty sure I had the swine flu, which, all things considered, seemed like a fitting end...
But all is cool now and I'm back and ready to write.
Stay tuned for some more news tomorrow about Eric's ever increasing gig list (including his participation in yet another band...which is probably the worst kept secret in Prog World right now) and photos of some ultra cool gifts from ABPT fans!
Later,
xo
Okay, obviously I'm the one in front who hasn't learned proper posture yet, and behind me, going left to right, the following brilliant women: Author/artist Ash Arceneaux, editor Luci Calanor, author/artist Stella Price, and author Kayleigh Jamison. The five of us basically stuck together throughout the entire convention, with the exception of Saturday night, when Luci and Kay snuck over to the "dark side"...i.e., the cover model competition. More on that in a minute.
But first, here are some photos I took of our accommodations. Not too bad, huh.
The only real problem with our hotel was that the convention center was a hike from our "garden apartments" but they had these little golf carts you could call to transport you to and from. I was pretty lucky, though. My room not only faced the pool, but I was only three buildings away from said center so it was a five minute trip over various footbridges surrounding the lagoons and other than drunkenly getting lost my first night there and walking around the pool, oh, seven or a thousand times, I finally realized the buildings were numbered and I had in fact passed mine, Building 10, at least 50 times on my search...but after that...a piece o'cake.
So here's Stella, Kay, and yours truly getting together Stella's infamous goodie bags to give to unsuspecting readers at the first Book Expo on Wednesday night..and yeah, I know, corny and immature as hell, the finger gestures for whatever reason became my m.o. for almost every photo session. Why, why, why. Can I blame alcohol? Because yeah, that stuff flowed throughout the convention. You might think writers drink a lot or something. Sheesh.
Here's Ash and I having a glass of champagne at what had to be the absolute BEST party I have ever attended during all of my years at various RT Conventions, including the dastardly Faerie Ball and Vampire whatever. This was a private, catered pre-faerie ball affair thrown by the wonderful people at All Romance Ebooks. Okay, now I must go into food freak mode because it was an incredible spread. Huge, unbelievable shrimp. Skewers of roasted vegetables. Skewers of chicken and fresh pineapple. Sweet potato empanadas. Open faced mini prime rib sandwiches. Oh, and did I mention the champagne? It literally flowed. I was so buzzed when I left there I was like, fuck the faerie ball, but the others made me go. They were all dressed up, I chose to stay in jeans but as you can see by the below photo, I did make one concession - I traded my black t-shirt for a ruffled black blouse from Lucky Brand Jeans which I thought was way cool until I just saw that pic and realize I am so, so, so not a ruffle person. Looks like my daughter may be inheriting a new piece of clothing...
Because my room was closest to the "ball", my, um, posse decided to change in my room. It was like the Rocky Horror Prom Night Show. Since I was not getting dressed up, I sat back on the bed and watched, but when Ash took out her bra, it was hard not to (1) wonder how I could get it into the Guinness Book of World Records and (2) put it on my head because trust me, there was enough for two heads in that thing:
The five of us quickly realized that the food at the hotel was, well, awful, so we frequently went on jaunts to Orlando restaurants. I can't find a photo from the first night, but we ate at an amazing seafood restaurant where I had oak grilled salmon topped with lump crab meat and asparagus, swimming in a white wine sauce with baked, yes baked, french fries on the side. Sick, sick, sick. Anyway, you'll have to take my word for it since I didn't whip out my camera, but here we are at lunch...God forgive me, you know my stance on chain restaurants, but we ate at the Olive Garden and oddly enough, it was good. Of course I stuck to the pasta, salad and breadstick lunch and it's pretty hard to fuck that up...they were even kind enough to substitute whole wheat pasta for me, which, after looking at these photos, I clearly need and should have said "no" to the breadsticks but oh well, I was on vacation and the diet resumed when I got home.
At least in theory.
I'm also noticing I have a drink in my hand in many of the pics (P.S., if you visit Ash's site linked above, there are many, many more photographs and you will also see that this is where I've lifted most of these)
Like, I found this one on Ash's site - do not remember if it's from the Faerie or Vampire Ball but you get the point...i.e., why I wanted to blow them off.
Okay, this one was definitely from the Faerie Ball and why this guy is wearing a french maid costume I have no idea (because it belonged to his wife and she said "I'm sorry, I don't have any more faerie costumes but how about this?) but it seemed like a good photo op at the time. Remember, much alcohol consumed here...in fact, I don't even remember that pic.
Nor this one...but obviously I was beginning to fade. I'm just kind of staring at everyone, wondering WHAT THE FUCK AM I DOING HERE?
Oh, yeah, I remember. It's so I can meet and hang out with famous writers like New York Times best selling author Jacqueline Frank.
Remember when I mentioned the "dark side" as concerns two of my friends? Well, apparently Jackie took a walk over there as well...
I, however, am far too cerebral for that, choosing instead to
Hey, Susan Henderson! Barry says Hello!
Oh look, yet another restaurant shot, this time with uber fan Andrea, and meeting her was one of the highlights of the trip. We seemed to share the same wardrobe...i.e., black t-shirts and jeans...throughout.
Finally, though, it was time for the big book sale/signing. After partying half the night away, it was a two fisted coffee morning for me.
Here's a shot of my author table at the Grand Ballroom where the book sale was held...pretty impressive swag, huh. Note to all of those of you to whom I promised guitar pic jewelry...I struggled like you would not believe to make those necklaces because I had grand plans of adding beads and crystals, etc. but it literally would have cost me $1,000 and about three months of my life. So I finally threw in the towel and improvised...i.e., just stuck the damn pics on some silk cord, and they actually came out awesome so I will be mailing them out to anyone wanting one this week.
Now this next photo makes me kind of famous - i.e., I made the front page of the official Romantic Times Blog:
"Bring On the Book Fair
This morning's book fair was a madhouse - tables of books galore, authors talking and taking pictures, and of course the readers. My roommate and I alone managed to buy a total of 37 books, give or take a few. Each of us went in with the intention of not loading up our arms, but neither of us managed to succeed.
Shortly after I was done at the book fair, I donated blood. Raz Steele held a blood drive, with all donors getting a copy of one of his books.
It was a fun experience, getting to chat with authors I missed during the previous few days, and catching up with the others. I made a point of finding some authors I hadn't already read and am looking forward to finding out how good they are."
And as you can see, I'm the first photo under that paragraph and she actually bought Daddy Left Me Alone with God ten minutes before the book fair opened to the public which was way, way cool.
After the book fair ended, naturally we were starving again. It was our last night there, and since Kay and Luci went over to the dark side along with our pal, Andrea, to vote on the best cover model and watch them strut up and down the "runway", Stella, Ash and I decided to have dinner at a nearby Japanese steakhouse and Ash got the hostess to take our pic for yet another restaurant Kodak moment.
Meanwhile, the entire time, I was feeling sicker and sicker. My head ached, my throat burned, and my stomach...well...let's just say I spent more time sleeping on the bathroom floor than in my bed. I thought for sure I was going to die on the flight home to Philadelphia the next morning, and I spent the next seven days sick as a dog in bed, pretty sure I had the swine flu, which, all things considered, seemed like a fitting end...
But all is cool now and I'm back and ready to write.
Stay tuned for some more news tomorrow about Eric's ever increasing gig list (including his participation in yet another band...which is probably the worst kept secret in Prog World right now) and photos of some ultra cool gifts from ABPT fans!
Later,
xo
Saturday, May 02, 2009
It's all about Eric Slick, anyway
Morning.
Well, I've been back from Florida for almost a week and this is the first time I am up for blogging...I've been so fucking sick it's ridiculous and all I could think was that I did not want to be known as "the first reported case of swine flu in Philadelphia - a woman living in the Art Museum area"...anyway, I still feel like hell so instead of telling you all about my fun and games at the RT Convention last week, I will quickly bring you up to speed about Eric Slick, who has a ton of really cool gigs this month while the Adrian Belew Power Trio is on brief sabbatical until June.
So first up is tonight, and here's a big secret -- if you are a fan of the Grateful Dead and want to meet them, now is your chance. Eric is playing double drums with Bodega at the Official Live Nation Dead Tour After Party and yes, yes, the Dead are going to show up and jam after midnight following their show at the Spectrum tonight. I have never been a fan but it still should be a blast and c'mon, it's the TLA...it was originally scheduled for a smaller club in West Chester but they just moved it for obvious reasons.
Tomorrow Eric is playing SHREDfest at the Rotunda in West Philadelphia starting at 7:00 p.m.
On Monday, he takes off for a secret location for a rehearsal with a top secret band...if all goes well, see you at Nearfest on June 20?
Continuing on...May 9 Eric will be gigging with Ellis Ashbrook at the Bowery Poetry Club in New York City...on May 10, he'll be with Travis Woodson at the Tritone in Philadelphia...and of course June 10 he'll be with the Adrian Belew Power Trio at the Riverbend Festival in Chattanooga...and I think that covers any and all interesting and notable gigs he has at the moment but you never know with Eric, something is basically always happening but these are the best of the best...and in closing, I want to leave you with a few You Tubes that just popped up from a couple of years ago when Eric played the World Cafe Live with Chris Harford and Mickey and Aaron from Ween...just some gorgeous, gorgeous stuff...
Okay, back to bed for me. I'll report back about the RT Convention either tomorrow or Monday...it was way too much fun, I can tell you that.
Well, I've been back from Florida for almost a week and this is the first time I am up for blogging...I've been so fucking sick it's ridiculous and all I could think was that I did not want to be known as "the first reported case of swine flu in Philadelphia - a woman living in the Art Museum area"...anyway, I still feel like hell so instead of telling you all about my fun and games at the RT Convention last week, I will quickly bring you up to speed about Eric Slick, who has a ton of really cool gigs this month while the Adrian Belew Power Trio is on brief sabbatical until June.
So first up is tonight, and here's a big secret -- if you are a fan of the Grateful Dead and want to meet them, now is your chance. Eric is playing double drums with Bodega at the Official Live Nation Dead Tour After Party and yes, yes, the Dead are going to show up and jam after midnight following their show at the Spectrum tonight. I have never been a fan but it still should be a blast and c'mon, it's the TLA...it was originally scheduled for a smaller club in West Chester but they just moved it for obvious reasons.
Tomorrow Eric is playing SHREDfest at the Rotunda in West Philadelphia starting at 7:00 p.m.
On Monday, he takes off for a secret location for a rehearsal with a top secret band...if all goes well, see you at Nearfest on June 20?
Continuing on...May 9 Eric will be gigging with Ellis Ashbrook at the Bowery Poetry Club in New York City...on May 10, he'll be with Travis Woodson at the Tritone in Philadelphia...and of course June 10 he'll be with the Adrian Belew Power Trio at the Riverbend Festival in Chattanooga...and I think that covers any and all interesting and notable gigs he has at the moment but you never know with Eric, something is basically always happening but these are the best of the best...and in closing, I want to leave you with a few You Tubes that just popped up from a couple of years ago when Eric played the World Cafe Live with Chris Harford and Mickey and Aaron from Ween...just some gorgeous, gorgeous stuff...
Okay, back to bed for me. I'll report back about the RT Convention either tomorrow or Monday...it was way too much fun, I can tell you that.
Wednesday, April 22, 2009
Odds and Sods for Wednesday, April 22, 2009
Good morning!
So today I take off for five days in sunny (well, in theory) Orlando, Florida, to participate, i.e., sell/sign my books and hit the many open bars, at the RT Convention. But before I go, a couple of tidbits remain from last week's Adrian Belew Power Trio tour.
Here's a fantastic interview recorded just after the show in Illinois -- amazing! (Highlight: Adrian says: "If I could be the drummer of my dreams, it would be Eric")
Here's another sparkling review:
"Adrian Belew in a Sold Out XRT Show at Old Town School
By Terri Hemmert ⋅ April 21, 2009
If I e-mailed you Adrian Belew’s musical resume, your hard drive would crash. It’s no wonder Zappa, Bowie, Talking Heads, King Crimson and more wanted to play with him. He’s a brilliant musician, and has such a joyful personality. I’ve seen King Crimson many times over the years, and never saw Robert Fripp smile unless he was playing with Adrian. So when the Adrian Belew power trio took the stage, I thought maybe he was playing with his kids. Well, they were someone else’s kids, but they did turn out to be brother and sister. Julie and Eric Slick were young enough to be on Spring Break, but could they play. Any rhythm section would be challenged to play with someone as brilliant as Belew, but they did better than hold their own.
They were great!
The trio opened with twenty minutes of instrumental work that will be on a new album to be released in June. Adrien has all kinds of technical tricks, but it only enhances his talent. And thankfully he did some vocals. I think he’s a charming and underrated vocalist. And he continues to be one of the most brilliant guitarists this music fan has ever seen. If progressive rock had followed Belew’s lead, the film Spinal Tap would never have been made. While prog rock went off the deep end with musical and lifestyle excesses, Adrian keeps it real.
A note on the venue. Adrian clearly loved the room and sound at the Old Town School. I’m not a mindreader. He said so. I’m just sorry I wasn’t there the night before to see Loretta Lynn’s big pink tour bus. That was a photo op, I bet."
So that's very cool and definitely made my morning...but for now I must pack for an early flight. I will have my laptop and camera with me so my plan is to blog from the convention...erm...you really can't quite believe what goes on there but this time I'll have the photos to prove it.
Later,
xo
So today I take off for five days in sunny (well, in theory) Orlando, Florida, to participate, i.e., sell/sign my books and hit the many open bars, at the RT Convention. But before I go, a couple of tidbits remain from last week's Adrian Belew Power Trio tour.
Here's a fantastic interview recorded just after the show in Illinois -- amazing! (Highlight: Adrian says: "If I could be the drummer of my dreams, it would be Eric")
Here's another sparkling review:
"Adrian Belew in a Sold Out XRT Show at Old Town School
By Terri Hemmert ⋅ April 21, 2009
If I e-mailed you Adrian Belew’s musical resume, your hard drive would crash. It’s no wonder Zappa, Bowie, Talking Heads, King Crimson and more wanted to play with him. He’s a brilliant musician, and has such a joyful personality. I’ve seen King Crimson many times over the years, and never saw Robert Fripp smile unless he was playing with Adrian. So when the Adrian Belew power trio took the stage, I thought maybe he was playing with his kids. Well, they were someone else’s kids, but they did turn out to be brother and sister. Julie and Eric Slick were young enough to be on Spring Break, but could they play. Any rhythm section would be challenged to play with someone as brilliant as Belew, but they did better than hold their own.
They were great!
The trio opened with twenty minutes of instrumental work that will be on a new album to be released in June. Adrien has all kinds of technical tricks, but it only enhances his talent. And thankfully he did some vocals. I think he’s a charming and underrated vocalist. And he continues to be one of the most brilliant guitarists this music fan has ever seen. If progressive rock had followed Belew’s lead, the film Spinal Tap would never have been made. While prog rock went off the deep end with musical and lifestyle excesses, Adrian keeps it real.
A note on the venue. Adrian clearly loved the room and sound at the Old Town School. I’m not a mindreader. He said so. I’m just sorry I wasn’t there the night before to see Loretta Lynn’s big pink tour bus. That was a photo op, I bet."
So that's very cool and definitely made my morning...but for now I must pack for an early flight. I will have my laptop and camera with me so my plan is to blog from the convention...erm...you really can't quite believe what goes on there but this time I'll have the photos to prove it.
Later,
xo
Sunday, April 19, 2009
Adrian Belew Power Trio on Tour - Part III
And the reviews continue to overwhelm me with their enthusiasm...while also making me extremely jealous I'm in Philadelphia, damn it!
***ADDITIONAL REVIEW JUST ADDED 4:00 P.M.*****
From Pete:
"So my wife and i went to see the ABPT tonight at the Schaumburg Prairie center for the Arts. When we ordered tickets I was particularly thrilled to see they were not general admission but actually assigned seats. We have never been to a Belew show with this arrangement and that alone was quite a treat . We live 16 miles west of Chicago so we usually take off work early, drop the kids off at grandmas , fight traffic to the venu like 4 hours early, get a great place in line wait/starve but get a great spot near the front, then 20 minutes into the show, like clockwork, a few 9 foot tall drunken contractor guys force their way directly in front of us. Now i am 6 foot and my wife is 5 foot 4. You get the picture, i hate to say it but i have been through this at practically every show we go to, and it always ruins 2/3rds of the evening for me. these guys pulled this stunt at roger waters, on the lawn, we were front lawn with blankets laid out with our kids. They showed up 20 minutes in and stood with their work boots on our blanket right in front of my kids,then they decided to fire it up and have a weed party. It escalated with me almost getting attacked by this red eyed carnheart guy with a bandanna. roger waters the guy whose major theme is exactly opposite of this type of behavior. i guess i am getting old.sorry for the rant, i am sure most of you hip enough to be here reading this would never treat others with such flagrant disrespect, so enough of my yakkin.
The Schaumburg Prairie Center is about a half hour north with adequate parking, we got there 15 minutes before show time (YES!!!). i talked to a few groups of folks, encouraging them to clap clap clap to get a triple encore like what went down on Thursday. We went in and said "hi" to Martha , she said "Hi Petey" heh, soo nice , then she asked us if we preferred a sit down show over general admission DON'T get me STARTED! they had a couple of old ladies checking tickets with a flash light and i noticed a few video cameras on tripods . we had 3rd row seats on julie's side (sorry eric). the place is really really nice, they had ac on and it holds 300 people with perfect acoustic set up . While we approached our seats, Adrian came out to his station. The first notes rang out as i sat down in my seat . "This is sooo nice" I thought to myself " i think i am going to invest in a taser, stilts, and some deer urine spray for the next gen admin show. The stage set up was a little different in that i noticed 2 tall cylindrical speaker units to the left and right just behind the normal adrian amp set up . it turns out he feeds his looped parts to these monitors which seem to emit an otherworldly high quality frequency response, very cool . when he locked in a looped rhythm part the sound just cut through the venue like nothing i have heard before. it really added a different dimension of depth or something hard to describe . the first material was instrumental , parts a , and b , it does sound unfamiliar at first , but the trade mark AB flare is represented very well . its kind of "scale-y" , at parts with complex looped scales while he doubles in a higher key with julie following dead on while eric forged the solid heavy back beat driving the whole cacaphony , some very colorful alternate parts and an even comical slapstick pass the note section that i think the only one who got more of chuckle out of it was the "man with the golden guitar". After that it seemed like "madness" but that just got a lot larger and more disjointed , if you can imagine that . he said they had only performed this four times which is just a testament to how tight this little ensemble is , i really dug this new stuff . personally i don't "get" some of the KC complex material , this new stuff did have some of the technical flavor exhibited in KC but was also peppered with the type of unique sense/nonsense- ability that i have always loved about adrian's music . the right mixture of crazy complex parts and counter parts that just drip with feeling. when this new recording drops , we are in for a treat guys ! something truly new and unique.
After the new stuff which was about 20 minutes , that seemed to go by in about 30 seconds! they broke into young lions and they stopped playing for a second so mr b. could explain to us what we had just witnessed . i looked around the crowd and had recognized some familiar faces but also quite a few parents had brought the kids , and grandmas too! soo cool, but think about it, what other rock artist could pull that off? i think it speaks volumes about this guys CHARACTER . next up a blistering version of writing on the wall with the crazy different every time solo which had me burst out laughing a few times , i dont know what got into him he was really going nuts on the solo and he actually popped an e string ! they finished it up, andre grabbed the guitar and ran off with it. Adrian said he has never broken a parker string and pointed at Eric who immediately said "no not me" then tore into this nutty drum solo, it was actually the most dynamic drum solo ever, pretty amazing going from whisper quiet to crazy caveman style and mixing it up. andre came back with the fresh string which led into "beat box guitar" with a for lack of a better term "psychedelic freak out jam" in the middle and then back, so awesome . he had his full rig and i could tell there where some fresh oddball noises flying around all night! next up was an amazingly dynamic and really slick take on big electric cat that was a real treat to hear another version of that standard that stood out so much.
At this point they where ready to start playing madness and Julie put on this kooky pair of glasses. Eric was obviously in on the prank cause he was cracking up and giving her the nod. when adrian looked over at her he just lost it and said "there is something wrong with your EYES" but the kids never lost a beat and adrian recovered from his chuckle attack and the started it a few bars later. after madness adrian informed us that eric and julie had to leave for "cookies and milk" he did a solo trick guitar part with drive going into Tommorrow Never Knows.
the kids came back from cookie break in time for of bow and drum, ampersand which sounded fantastic . then there was a longer mutated looped intro for "colorfuturevision". That song always blows me away and this new arrangement is super cool. i thought i was cracking up when they were playing the intro to swingline on the break before the solo for futurevision, i lost it and gave ade the thumbs up, he saw me and had this huge grin on his face! sure enough they repeated that part again going out of the tune, what a surprise. next on the menu was the last section being "e" , a really cool piece of music that has some familiar parts, some crazy parts, and pretty much everything in between. i cant imagine how much time he has put into this new peice and also cant wait to get my hands on it. he said june , but he didn't say what YEAR so we will have to see. (NOTE FROM OUR AUTHOR - NOPE, IT'S JUNE OF 2009, THIS YEAR, PETE..I CAN'T WAIT EITHER)
After e their was a standing ovation! the place just lost it, hats off to the power trio for such a professional, completely astounding performance. despite the groundswell of thunderous applause we only got one encore, three of a perfect pair. i believe they were on a tight schedule with the venue or something cause it seemed really out of character for him. i know he was in a good mood, plenty of banter and laughs tonight. He did exclaim that it was a little odd playing to an "oil painting"(we were all just sitting there) . i can see what he meant, when you are used to playing to a bunch of sweaty drunks jumping around and yelling strange things at you we were for the most part very well behaved.
BUT...there was one guy who was screaming in between every song , "yagagagagh" , "RHINO", "DISCIPLINE" ,"ZAPPA!" "bring ANDRE out" which he did, for some applause and he gave him a nice plug. another guy, gosh you know i have witnessed other folks on shrooms, acid, coke, pcp, heroin, but i have never witnessed ANYONE as high as this cat was. he walked right down to the stage and stood right in front of us, all writhing around. he was clapping along and pounding his fist on the stage. there was a camara guy like 2 feet away from him taping! EVERYONE in the venue was sitting down. the entire night i think 2 people left for potty break and i was one of them. this guy just crashed the stage while he is peaking out on some heavy hallucinogen? to me he was a huge distraction, i had to restrain myself from body slamming this guy, tackle him and take him down , grandma doesn't need to see that. Come on guys, if you are going to try out the latest designer drug or dmt based hallicinogen, stay home and do that stuff. i just hope the poor guy made it home ok , dude was trippin BALLS!
we went to the merch table and honestly, we own everything on there. i just have to say in this digital age how important live shows are to the artists. now is the time for us to support our musicians by spreading the word, and buying tickets. seriously , unless you are a 9 foot tall contractor with a whiskey problem or just got hooked up with some whale tranquilizers.
they all came out to sign merch, and i had the pleasure of meeting Gary Slick. He is a great guy and we had a nice chat about kids, music, and life in general . Eric noticed that i was sporting a "Mr Bungle" t shirt. He told me that "Disco Volante" was one of his all time favorite albums, of all time . he also has been to more "fantomas" concerts than any other band (besides the trio). totally cool, this guy is the real deal. they all signed a shirt for my wife and we took pics, me with adrian and my wife and martha. they always have a nice time chatting at the shows. she is really nice, down to earth person. i had a few stories i wanted to share with adrian, but i could tell they were trying to hustle , so i tried not to be a burden and just got a quick picture. oh well next time maybe. there was a younger gentleman there with a portable recorder, they actually did an interview so i got a card from the guy and will post a link when its up.
overall impression , if you are on the fence about making the investment to see the trio again, there is no way you should miss this tour. a good chunk of amazing new material and some of the old standbys have been reworked into new versions, it was a lot different of a show than the first time we saw the trio last year . i cant tell you how much soloing went on. i mean he was just wailing all night, a lot more than i have ever noticed before. this tour is really heavy on the solos and guitar tricks, well worth whatever you have to do to make it to a few of these shows... do it. i would have tickets for tomorrow's show but i herniated a disk and haven't worked in a year so we are SUPER broke.
thanks to the abpt for an amazing uplifting experience once again.
oh (forgive me for the long post please) when we were walking out of the venue right after the encore (3 of a perfect pair) this guy asked his grandma, he goes "was it too loud?" she said oh no, not the music , just the CROWD!" he goes how about the music? "oh the music was just fine!!!" when i was leaving i saw the old lady who had taken our tickets "what did you think of tonight?" i asked, she goes "i liked the last song best!!!" when i saw ade at the table i asked him if he could teach his stool (he has this incredibly cool chair/stool) to play robert fripp's synth solo on 3 of a perfect pair. he interrupted me and exclaimed "thats MY SOLO " not Robert, thats ME! Really? i said. i lay awake at night thinking how do you make that noise. " "its an old lexicon you could change this parameter (he made a knob twisting gesture)! i said is the sound a gr300 , he goes yeah yeah. awesome . i also figured out one of his new trick sounds that has been bugging me since side one came out, but i am not going to be a weenie and give it up. thanks for reading."
Ha ha, that post was great, wasn't it? Certainly one of the more colorful reviews I've read. But I know what he means about dopes at concerts -- I didn't want to write about it in my recent attendance at the Jeff Beck show, but we arrived late, could not get anywhere near the stage, it seems like a mens' basketball team stood in front of me, and idiots not only were fucked up out of their brains spilling beer on me and one genius couple on Extasy humping to my right, but it seemed everyone else had their blackberries or iPhones whipped out and were not taking photos, but were texting!
Fucking idiots.
Which brings me to my next review, from Rhea, which basically addresses my feelings about NEEDING to be in front of the stage...that's her comfort zone and mine as well. I laughed when I read her story because it could have been the same words coming from my mouth as well. I'd copy her entire post here but I think you should click on the link and visit her blog for the whole story. The only thing I disagree with, Rhea, is your desire to hear King Crimson covers. This is the Adrian Belew Power Trio, and Ade has an incredible wealth of his own solo material. So while I am in agreement with you about wanting to hear Three of a Perfect Pair and other Crimson classics, understand that this trio is a whole 'nother beast and this is 2009! But trust me, I hear you...I go to Clapton shows and want to hear Cream covers, too, but I can just imagine Eric saying to himself "If one more person shouts out White Room I'm going to..."
Never mind.
In any event, let me end the whole general admission diatribe by saying that truth to tell, if you've experienced an Adrian Belew Power Trio show, the true energy comes from the standing room scenario. Their music is loud and vibrant and makes it impossible to sit in your seat. Adrian's remark about playing to an oil painting is very true...this band feeds, and I mean REALLY FEEDS, off the crowd's feverish reaction and you just don't get that in a sit-down only venue.
Sooo...all I can say is, next time you are stuck standing next to a screaming, tripping idiot who is ruining the show for you, get proactive and get management to "remove" said idiot. I wish I'd done that during Jeff Beck but truth is, we were contributorily negligent for getting there so late. Next time I'm going with the Rhea factor and getting there before the doors even open so that I am first in line.
Anyway...
That's it for now but I'm waiting for some more reviews to roll in...especially from my pal, uber Ade fan Joe Pettini...so I'll be adding to this...
***AND AS PROMISED - from Lost in Musing over at All Good People, a/k/a the Yes forum board:
"Adrian Belew and Eric Slick and Julie Slick performed only 5 miles from my house on Saturday, at a nice (but odd) venue, a “Center For Performing Arts”.
I say odd venue, because the intimate small (442 seats) theatre-like setting seems more matched to a play, or classical performance, rather than prog-rock.
The crowd was odd also, in that there was dead silence between numbers throughout the first-half of the set, and you could hear a pin drop, after polite applause, unusual for a Belew show. Adrian even commented on this fact, saying that it was a little odd playing to an "oil painting"(everyone just sitting there very well behaved). He said he is used to playing to a bunch of sweaty drunks falling down, jumping around, and yelling strange things.
It was also odd since a bunch of old hippies were in the house (Arlene & Bruce & me & she-who-must-be –obeyed).
The band had the usual set-up, with Ade looping multi-layers very effectively all night.
I must be getting picky as I get older, because I thought sound should be excellent in this venue, even just from stage amps. But Julie was low in the mix as seems to be typical, based on the last several tours I have seen. Also, Ade’s two stage-left channels seemed to be much hotter than the left, so anything he played through the leftside sounded awesome, but overpowered the right channels.
Nonetheless, the sound was generally fine, and Ade solos were cutting, grinding, crushing, flowing, humming, singing, melting, oozing, and on and on. I am amazed by the tones …. Including haunting whale-song sounds at one point.
I brought my ear plugs, since my ears are very sensitive after 40 years of countless gigs including such as The Who and Humble Pie, but plugs were not needed.
Excellent dynamics, especially when Ade broke a string, and put Eric on the spot to drum solo for a few minutes while the guitar was fixed. I was stunned at Eric’s style, touch, sense of dynamics, and rhythms at such an age. With the “pin drop” silence, Eric would gradually reduce volume until you could just hear the softest touch of the cymbal, which made the entire crowd giggle.
Setlist included Ampersand, Young Lions, Beat Box Guitar, A Little Madness, Drive (Within/Without You), Of Bow and Drum, Big Electric Cat, Futurevision, and Three of a Perfect Pair (encore). A little short of 2 hours.
I love Drive, and was glad it was included. I thought Futurevision was a good choice and very well done also.
The Trio was remarkably tight as a unit, and the years of playing together are showing.
The showcase of the set was the bulk (three-fifths) of the new composition ‘e’, which is described as a thematic piece of music in five sections, based on a 16-note chromatic figure, about 50 minutes long. It will be on the new studio album to be released in June.
Ade has said that each of the five pieces of music flow through a wide variety of secondary themes and melodies some of which reappear, but they all are based upon and eventually come back to the e figure. In some areas the timbre of the piece is much like Crimson, but Gershwin and Stravinsky influences are present as well. The piece was composed using 16 different loops with parts and solos added over the top, and was written and arranged specifically for the power trio.
The gig opened with 20-minutes of ‘e’, parts 1 & 2. The set ended with part 5, I think it was.
Some of ‘e’ I really like, and some will take some learning, similar to acclimating to a Crimson tune.
So I had a good evening, and it was rewarding to see Ade once again, and I think my third time seeing Julie’s feet and Eric’s hair (LOL).
I was also nice to chat with Arlene and Bruce, although we were not able to do a pre- or post- show, and that certain guitarist dude (cough …. Kurt), did not show. There were a few people from my office there also.
I am disappointed I left before Ade and the Trio came out to the merchandise table … oh, well.
My advice would be to see Ade and The Trio if they play near you, as it is well worth it.
From Michael over at Planet Crimson:
"This is the third time I've seen the Trio in what, 4 years? They are still as fun and energetic as ever, and musically they just continue to grow. Adrian commented on it being unusual for them not to be playing for drunks in a bar, and this was indeed a very different experience. While the second time I saw them it was obvious that they had improved and the show was simply better than the first, in this case the show was neither better nor worse in that it was so different.
Of course, the main difference was "E", of which they played 3 of the 5 parts, taking up, I would guess, a good quarter of the show. They opened with the 4th public playing of "A" and "B", and closed the set with "E". In between they focused primarily on Adrian's output from recent years (although they did throw in some some old favorites like a smoking "Big Electric Cat"), and, significantly I think, within that recent output focused heavily on the instrumentals. This music lets them all stretch out a bit: Julie in particular seemed really free to explore her bass. I didn't keep track of any time or numbers, but it's very safe to say that Adrian sang much less less last night, and that the music was primarily instrumental. This included an impromptu drum solo Eric performed while we waited for guitar-tech Andre to repair a broken guitar string. (The expression on Eric's face when Adrian suddenly threw it over to him was priceless.)
Oh, one other thing: no King Crimson in the main set. For the lone encore they did play 3oaPP.
One thing that's clear is that with "E", which will be released in June, Adrian is moving into a new phase. How long this will last and where it will lead I suspect even he doesn't know, but it is music that works better in a theatre than a club. (It was kind of strange sitting in a theatre chair during those moments when they rocked out a bit.)
I also have to wonder if some recent events led to the withdrawal of a lot of Crimson material. This wasn't Adrian Belew of King Crimson's solo gig, this was The Adrian Belew Power Trio, his main band.
That's fine with me. I didn't miss Dinosaur, Frame, Elephant, etc. one bit."
Later,
xo
***ADDITIONAL REVIEW JUST ADDED 4:00 P.M.*****
From Pete:
"So my wife and i went to see the ABPT tonight at the Schaumburg Prairie center for the Arts. When we ordered tickets I was particularly thrilled to see they were not general admission but actually assigned seats. We have never been to a Belew show with this arrangement and that alone was quite a treat . We live 16 miles west of Chicago so we usually take off work early, drop the kids off at grandmas , fight traffic to the venu like 4 hours early, get a great place in line wait/starve but get a great spot near the front, then 20 minutes into the show, like clockwork, a few 9 foot tall drunken contractor guys force their way directly in front of us. Now i am 6 foot and my wife is 5 foot 4. You get the picture, i hate to say it but i have been through this at practically every show we go to, and it always ruins 2/3rds of the evening for me. these guys pulled this stunt at roger waters, on the lawn, we were front lawn with blankets laid out with our kids. They showed up 20 minutes in and stood with their work boots on our blanket right in front of my kids,then they decided to fire it up and have a weed party. It escalated with me almost getting attacked by this red eyed carnheart guy with a bandanna. roger waters the guy whose major theme is exactly opposite of this type of behavior. i guess i am getting old.sorry for the rant, i am sure most of you hip enough to be here reading this would never treat others with such flagrant disrespect, so enough of my yakkin.
The Schaumburg Prairie Center is about a half hour north with adequate parking, we got there 15 minutes before show time (YES!!!). i talked to a few groups of folks, encouraging them to clap clap clap to get a triple encore like what went down on Thursday. We went in and said "hi" to Martha , she said "Hi Petey" heh, soo nice , then she asked us if we preferred a sit down show over general admission DON'T get me STARTED! they had a couple of old ladies checking tickets with a flash light and i noticed a few video cameras on tripods . we had 3rd row seats on julie's side (sorry eric). the place is really really nice, they had ac on and it holds 300 people with perfect acoustic set up . While we approached our seats, Adrian came out to his station. The first notes rang out as i sat down in my seat . "This is sooo nice" I thought to myself " i think i am going to invest in a taser, stilts, and some deer urine spray for the next gen admin show. The stage set up was a little different in that i noticed 2 tall cylindrical speaker units to the left and right just behind the normal adrian amp set up . it turns out he feeds his looped parts to these monitors which seem to emit an otherworldly high quality frequency response, very cool . when he locked in a looped rhythm part the sound just cut through the venue like nothing i have heard before. it really added a different dimension of depth or something hard to describe . the first material was instrumental , parts a , and b , it does sound unfamiliar at first , but the trade mark AB flare is represented very well . its kind of "scale-y" , at parts with complex looped scales while he doubles in a higher key with julie following dead on while eric forged the solid heavy back beat driving the whole cacaphony , some very colorful alternate parts and an even comical slapstick pass the note section that i think the only one who got more of chuckle out of it was the "man with the golden guitar". After that it seemed like "madness" but that just got a lot larger and more disjointed , if you can imagine that . he said they had only performed this four times which is just a testament to how tight this little ensemble is , i really dug this new stuff . personally i don't "get" some of the KC complex material , this new stuff did have some of the technical flavor exhibited in KC but was also peppered with the type of unique sense/nonsense- ability that i have always loved about adrian's music . the right mixture of crazy complex parts and counter parts that just drip with feeling. when this new recording drops , we are in for a treat guys ! something truly new and unique.
After the new stuff which was about 20 minutes , that seemed to go by in about 30 seconds! they broke into young lions and they stopped playing for a second so mr b. could explain to us what we had just witnessed . i looked around the crowd and had recognized some familiar faces but also quite a few parents had brought the kids , and grandmas too! soo cool, but think about it, what other rock artist could pull that off? i think it speaks volumes about this guys CHARACTER . next up a blistering version of writing on the wall with the crazy different every time solo which had me burst out laughing a few times , i dont know what got into him he was really going nuts on the solo and he actually popped an e string ! they finished it up, andre grabbed the guitar and ran off with it. Adrian said he has never broken a parker string and pointed at Eric who immediately said "no not me" then tore into this nutty drum solo, it was actually the most dynamic drum solo ever, pretty amazing going from whisper quiet to crazy caveman style and mixing it up. andre came back with the fresh string which led into "beat box guitar" with a for lack of a better term "psychedelic freak out jam" in the middle and then back, so awesome . he had his full rig and i could tell there where some fresh oddball noises flying around all night! next up was an amazingly dynamic and really slick take on big electric cat that was a real treat to hear another version of that standard that stood out so much.
At this point they where ready to start playing madness and Julie put on this kooky pair of glasses. Eric was obviously in on the prank cause he was cracking up and giving her the nod. when adrian looked over at her he just lost it and said "there is something wrong with your EYES" but the kids never lost a beat and adrian recovered from his chuckle attack and the started it a few bars later. after madness adrian informed us that eric and julie had to leave for "cookies and milk" he did a solo trick guitar part with drive going into Tommorrow Never Knows.
the kids came back from cookie break in time for of bow and drum, ampersand which sounded fantastic . then there was a longer mutated looped intro for "colorfuturevision". That song always blows me away and this new arrangement is super cool. i thought i was cracking up when they were playing the intro to swingline on the break before the solo for futurevision, i lost it and gave ade the thumbs up, he saw me and had this huge grin on his face! sure enough they repeated that part again going out of the tune, what a surprise. next on the menu was the last section being "e" , a really cool piece of music that has some familiar parts, some crazy parts, and pretty much everything in between. i cant imagine how much time he has put into this new peice and also cant wait to get my hands on it. he said june , but he didn't say what YEAR so we will have to see. (NOTE FROM OUR AUTHOR - NOPE, IT'S JUNE OF 2009, THIS YEAR, PETE..I CAN'T WAIT EITHER)
After e their was a standing ovation! the place just lost it, hats off to the power trio for such a professional, completely astounding performance. despite the groundswell of thunderous applause we only got one encore, three of a perfect pair. i believe they were on a tight schedule with the venue or something cause it seemed really out of character for him. i know he was in a good mood, plenty of banter and laughs tonight. He did exclaim that it was a little odd playing to an "oil painting"(we were all just sitting there) . i can see what he meant, when you are used to playing to a bunch of sweaty drunks jumping around and yelling strange things at you we were for the most part very well behaved.
BUT...there was one guy who was screaming in between every song , "yagagagagh" , "RHINO", "DISCIPLINE" ,"ZAPPA!" "bring ANDRE out" which he did, for some applause and he gave him a nice plug. another guy, gosh you know i have witnessed other folks on shrooms, acid, coke, pcp, heroin, but i have never witnessed ANYONE as high as this cat was. he walked right down to the stage and stood right in front of us, all writhing around. he was clapping along and pounding his fist on the stage. there was a camara guy like 2 feet away from him taping! EVERYONE in the venue was sitting down. the entire night i think 2 people left for potty break and i was one of them. this guy just crashed the stage while he is peaking out on some heavy hallucinogen? to me he was a huge distraction, i had to restrain myself from body slamming this guy, tackle him and take him down , grandma doesn't need to see that. Come on guys, if you are going to try out the latest designer drug or dmt based hallicinogen, stay home and do that stuff. i just hope the poor guy made it home ok , dude was trippin BALLS!
we went to the merch table and honestly, we own everything on there. i just have to say in this digital age how important live shows are to the artists. now is the time for us to support our musicians by spreading the word, and buying tickets. seriously , unless you are a 9 foot tall contractor with a whiskey problem or just got hooked up with some whale tranquilizers.
they all came out to sign merch, and i had the pleasure of meeting Gary Slick. He is a great guy and we had a nice chat about kids, music, and life in general . Eric noticed that i was sporting a "Mr Bungle" t shirt. He told me that "Disco Volante" was one of his all time favorite albums, of all time . he also has been to more "fantomas" concerts than any other band (besides the trio). totally cool, this guy is the real deal. they all signed a shirt for my wife and we took pics, me with adrian and my wife and martha. they always have a nice time chatting at the shows. she is really nice, down to earth person. i had a few stories i wanted to share with adrian, but i could tell they were trying to hustle , so i tried not to be a burden and just got a quick picture. oh well next time maybe. there was a younger gentleman there with a portable recorder, they actually did an interview so i got a card from the guy and will post a link when its up.
overall impression , if you are on the fence about making the investment to see the trio again, there is no way you should miss this tour. a good chunk of amazing new material and some of the old standbys have been reworked into new versions, it was a lot different of a show than the first time we saw the trio last year . i cant tell you how much soloing went on. i mean he was just wailing all night, a lot more than i have ever noticed before. this tour is really heavy on the solos and guitar tricks, well worth whatever you have to do to make it to a few of these shows... do it. i would have tickets for tomorrow's show but i herniated a disk and haven't worked in a year so we are SUPER broke.
thanks to the abpt for an amazing uplifting experience once again.
oh (forgive me for the long post please) when we were walking out of the venue right after the encore (3 of a perfect pair) this guy asked his grandma, he goes "was it too loud?" she said oh no, not the music , just the CROWD!" he goes how about the music? "oh the music was just fine!!!" when i was leaving i saw the old lady who had taken our tickets "what did you think of tonight?" i asked, she goes "i liked the last song best!!!" when i saw ade at the table i asked him if he could teach his stool (he has this incredibly cool chair/stool) to play robert fripp's synth solo on 3 of a perfect pair. he interrupted me and exclaimed "thats MY SOLO " not Robert, thats ME! Really? i said. i lay awake at night thinking how do you make that noise. " "its an old lexicon you could change this parameter (he made a knob twisting gesture)! i said is the sound a gr300 , he goes yeah yeah. awesome . i also figured out one of his new trick sounds that has been bugging me since side one came out, but i am not going to be a weenie and give it up. thanks for reading."
Ha ha, that post was great, wasn't it? Certainly one of the more colorful reviews I've read. But I know what he means about dopes at concerts -- I didn't want to write about it in my recent attendance at the Jeff Beck show, but we arrived late, could not get anywhere near the stage, it seems like a mens' basketball team stood in front of me, and idiots not only were fucked up out of their brains spilling beer on me and one genius couple on Extasy humping to my right, but it seemed everyone else had their blackberries or iPhones whipped out and were not taking photos, but were texting!
Fucking idiots.
Which brings me to my next review, from Rhea, which basically addresses my feelings about NEEDING to be in front of the stage...that's her comfort zone and mine as well. I laughed when I read her story because it could have been the same words coming from my mouth as well. I'd copy her entire post here but I think you should click on the link and visit her blog for the whole story. The only thing I disagree with, Rhea, is your desire to hear King Crimson covers. This is the Adrian Belew Power Trio, and Ade has an incredible wealth of his own solo material. So while I am in agreement with you about wanting to hear Three of a Perfect Pair and other Crimson classics, understand that this trio is a whole 'nother beast and this is 2009! But trust me, I hear you...I go to Clapton shows and want to hear Cream covers, too, but I can just imagine Eric saying to himself "If one more person shouts out White Room I'm going to..."
Never mind.
In any event, let me end the whole general admission diatribe by saying that truth to tell, if you've experienced an Adrian Belew Power Trio show, the true energy comes from the standing room scenario. Their music is loud and vibrant and makes it impossible to sit in your seat. Adrian's remark about playing to an oil painting is very true...this band feeds, and I mean REALLY FEEDS, off the crowd's feverish reaction and you just don't get that in a sit-down only venue.
Sooo...all I can say is, next time you are stuck standing next to a screaming, tripping idiot who is ruining the show for you, get proactive and get management to "remove" said idiot. I wish I'd done that during Jeff Beck but truth is, we were contributorily negligent for getting there so late. Next time I'm going with the Rhea factor and getting there before the doors even open so that I am first in line.
Anyway...
That's it for now but I'm waiting for some more reviews to roll in...especially from my pal, uber Ade fan Joe Pettini...so I'll be adding to this...
***AND AS PROMISED - from Lost in Musing over at All Good People, a/k/a the Yes forum board:
"Adrian Belew and Eric Slick and Julie Slick performed only 5 miles from my house on Saturday, at a nice (but odd) venue, a “Center For Performing Arts”.
I say odd venue, because the intimate small (442 seats) theatre-like setting seems more matched to a play, or classical performance, rather than prog-rock.
The crowd was odd also, in that there was dead silence between numbers throughout the first-half of the set, and you could hear a pin drop, after polite applause, unusual for a Belew show. Adrian even commented on this fact, saying that it was a little odd playing to an "oil painting"(everyone just sitting there very well behaved). He said he is used to playing to a bunch of sweaty drunks falling down, jumping around, and yelling strange things.
It was also odd since a bunch of old hippies were in the house (Arlene & Bruce & me & she-who-must-be –obeyed).
The band had the usual set-up, with Ade looping multi-layers very effectively all night.
I must be getting picky as I get older, because I thought sound should be excellent in this venue, even just from stage amps. But Julie was low in the mix as seems to be typical, based on the last several tours I have seen. Also, Ade’s two stage-left channels seemed to be much hotter than the left, so anything he played through the leftside sounded awesome, but overpowered the right channels.
Nonetheless, the sound was generally fine, and Ade solos were cutting, grinding, crushing, flowing, humming, singing, melting, oozing, and on and on. I am amazed by the tones …. Including haunting whale-song sounds at one point.
I brought my ear plugs, since my ears are very sensitive after 40 years of countless gigs including such as The Who and Humble Pie, but plugs were not needed.
Excellent dynamics, especially when Ade broke a string, and put Eric on the spot to drum solo for a few minutes while the guitar was fixed. I was stunned at Eric’s style, touch, sense of dynamics, and rhythms at such an age. With the “pin drop” silence, Eric would gradually reduce volume until you could just hear the softest touch of the cymbal, which made the entire crowd giggle.
Setlist included Ampersand, Young Lions, Beat Box Guitar, A Little Madness, Drive (Within/Without You), Of Bow and Drum, Big Electric Cat, Futurevision, and Three of a Perfect Pair (encore). A little short of 2 hours.
I love Drive, and was glad it was included. I thought Futurevision was a good choice and very well done also.
The Trio was remarkably tight as a unit, and the years of playing together are showing.
The showcase of the set was the bulk (three-fifths) of the new composition ‘e’, which is described as a thematic piece of music in five sections, based on a 16-note chromatic figure, about 50 minutes long. It will be on the new studio album to be released in June.
Ade has said that each of the five pieces of music flow through a wide variety of secondary themes and melodies some of which reappear, but they all are based upon and eventually come back to the e figure. In some areas the timbre of the piece is much like Crimson, but Gershwin and Stravinsky influences are present as well. The piece was composed using 16 different loops with parts and solos added over the top, and was written and arranged specifically for the power trio.
The gig opened with 20-minutes of ‘e’, parts 1 & 2. The set ended with part 5, I think it was.
Some of ‘e’ I really like, and some will take some learning, similar to acclimating to a Crimson tune.
So I had a good evening, and it was rewarding to see Ade once again, and I think my third time seeing Julie’s feet and Eric’s hair (LOL).
I was also nice to chat with Arlene and Bruce, although we were not able to do a pre- or post- show, and that certain guitarist dude (cough …. Kurt), did not show. There were a few people from my office there also.
I am disappointed I left before Ade and the Trio came out to the merchandise table … oh, well.
My advice would be to see Ade and The Trio if they play near you, as it is well worth it.
From Michael over at Planet Crimson:
"This is the third time I've seen the Trio in what, 4 years? They are still as fun and energetic as ever, and musically they just continue to grow. Adrian commented on it being unusual for them not to be playing for drunks in a bar, and this was indeed a very different experience. While the second time I saw them it was obvious that they had improved and the show was simply better than the first, in this case the show was neither better nor worse in that it was so different.
Of course, the main difference was "E", of which they played 3 of the 5 parts, taking up, I would guess, a good quarter of the show. They opened with the 4th public playing of "A" and "B", and closed the set with "E". In between they focused primarily on Adrian's output from recent years (although they did throw in some some old favorites like a smoking "Big Electric Cat"), and, significantly I think, within that recent output focused heavily on the instrumentals. This music lets them all stretch out a bit: Julie in particular seemed really free to explore her bass. I didn't keep track of any time or numbers, but it's very safe to say that Adrian sang much less less last night, and that the music was primarily instrumental. This included an impromptu drum solo Eric performed while we waited for guitar-tech Andre to repair a broken guitar string. (The expression on Eric's face when Adrian suddenly threw it over to him was priceless.)
Oh, one other thing: no King Crimson in the main set. For the lone encore they did play 3oaPP.
One thing that's clear is that with "E", which will be released in June, Adrian is moving into a new phase. How long this will last and where it will lead I suspect even he doesn't know, but it is music that works better in a theatre than a club. (It was kind of strange sitting in a theatre chair during those moments when they rocked out a bit.)
I also have to wonder if some recent events led to the withdrawal of a lot of Crimson material. This wasn't Adrian Belew of King Crimson's solo gig, this was The Adrian Belew Power Trio, his main band.
That's fine with me. I didn't miss Dinosaur, Frame, Elephant, etc. one bit."
Later,
xo
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