The Adrian Belew Power Trio: Rock Slide!

I don't know how the Adrian Belew Power Trio show went last night in Aspen, but I do know about certain craziness leading up to the concert so I can just imagine how the rest of the evening turned out. No worries - I'm sure whatever happened they made the best of it and probably had a good laugh as well.



The first thing to occur was late morning, New Mexico time, when I got a phone call from Eric.

"Hey, could you do us a favor? Our GPS system went down and we've got a six hour drive to Aspen, Colorado. Can you go to traffic.com and at least get us some initial directions? Pick the option that says fastest route."

"Okay," I said, frantically typing in locations. Holy crap. There were fifteen different steps and over 300 miles. I got the brilliant idea, after Eric tried writing all this stuff down, to email the directions to his cell phone.

Everything was going fine until they hit four feet of snow and they learned the main drag supplied to us by the evil traffic.com was only open between Memorial Day and Labor Day due to said copious amounts of snow which naturally traffic.com neglected to mention.

I swear, both Mapquest and Traffic.com are the tools of Satan! The last time I used Mapquest, Gary, who has built in radar in his body and doesn't even usually need directions, ended up with me in some bumfuck town in Connecticut instead of Vermont where we were headed because when Mapquest told us to get off the road at Exit 80, they left out one important detail: they meant Exit 80 in Vermont, not the one which pops up first on the very same road in Connecticut.

But I digress...

Despite the devil that is traffic.com, our heroes prevailed, bought a road atlas, the GPS system was restored, and they were safely on their way albeit not in time for sound check though as fate would have it, sound check appeared to be out of the question, anyway.

Because tour manager Andre Cholmondeley and engineer extraordinaire John Sinks, traveling separately in a cargo van containing all of the band's equipment, were not s fortunate as Ade, Julie and Eric. Nope, Andre and John were involved in a rock slide and while luckily unharmed, they ended up with two flat tires and possible axle damage on a snowy mountain road.

Yes, a rock slide. So far this band has been involved in an earthquake, a typhoon, a blizzard, and while I nervously joked "What's next, an erupting volcano?" a rock slide never even entered my mind.

But then again, why would it. A fucking rock slide. Though I can only guess where my imagination will lead me now.

So anyway, the gear had to be placed on a flatbed truck and towed. I think that's what happened, anyway. My phone call with Eric was brief though hilarious -- Eric was actually in a good head, even telling me that the prior evening's Santa Fe show was a blast despite the fact that he had no drum rug and all of his equipment kept sliding across the stage.

Ah, the life of touring musicians.

There's another piece to this story which I hope turns out okay - I'll have to let you know once I talk to someone, but not only would they have no sound check, the Belly Up in Aspen has a 10:00 p.m. curfew and the room had to be completely cleared out by that time. That totally freaked me out -- isn't Aspen a party town teeming with celebrities? Why the curfew? Was the club in a residential, exclusive neighborhood? Ah...God bless the internet - it took me all of five seconds to find out why. At 10:00 p.m. the club goes disco, with dancing and a d.j. Bleh! I felt immediately bad for the fans in attendance because that had to mean Adrian, Julie and Eric didn't get to do their usual meet and greet after the show where they always hang out a minimum of one hour talking to fans, taking pictures, autographing CDs, posters, and t-shirts...I wonder if they found another place to move the "party" or the band simply headed back to the hotel, where, it's my guess, after a day of driving and what had to be at least a modicum of stress, even for a band as loose and carefree as this one, they either hit the hotel bar hard or went to their respective rooms and were sound sleep by midnight.

I know I'm a bad mom but I hope they got to hang in the bar. I mean, hang with fans. Ha!

Anyway, here's some more fun photos from sound check at Phoenix, Arizona, sent to me by Joel Klein, who is also responsible for the pic of the trio I posted above.

The very last one features Julie, Eric, and promoter Danny Zelisko, who may have something VERY SPECIAL planned for the trio this December...but I'm not allowed to say anything yet.













Anyway, that's it for now. I'm still hoping for some reviews from New Mexico and Aspen and if I find any, I will come in and add them to this post..but in the meantime, if you are in the Boulder, Colorado area, you can catch the trio tonight at the Fox Theatre.

Later,
xo

Adrian Belew Power Trio: Colorado

So this weekend the Adrian Belew Power Trio hits Colorado for the first time, with a show tonight in Aspen at the Belly Up (and that's a very cool link to click on) and tomorrow night in Boulder, Colorado at the Fox Theatre.

Here's an article about the trio that appears in the Boulder Weekly:


(Yet another brilliant Burton Lo shot of Julie Slick)

The lone rhino talks that trash
Adrian Belew has been integral in shaping the past 30 years of rock, and it looks like he has 30 more left in him
by Dave Kirby

"Publicists typically schedule their touring clients’ interviews before the artist is actually on the road, under the assumption that they’re more relaxed at home and not dealing with hotel room phone systems, missed airline connections, trying to find a bite to eat or finding the venue in time to do a rushed sound check.

But it’s Saturday morning, two days before he gets on an airplane, and Adrian Belew, at his home outside Nashville, is too busy to talk… at least, at the appointed time for his Boulder Weekly interview.

“Can you call back in… I dunno, 10 minutes. I’m kind of tied up… but I’ll be free shortly.”

We give him 20, call back, and the guy is off like a rocket.

Working on the guitar rig? We saw something on the blog about that being a project…

“Heh, no. The rig is finished and it’s already shipped off. No, there’s just a million things to do before I head out — household stuff, do a little pre-blogging…”

Hey, isn’t that cheating?

“No, we do a download thing once a week out at the website, just rarities and odds-n-ends, and I don't want people to freak out if I miss one.”

Fair enough. Belew is a guy who you sense has a deep and abiding connection with his fans, and why not? Some of them extend back to the late 1970s when Belew, a quirky and energetic singer and a guitarist of uniquely angular ambition, first emerged as a curious presence straddling the post-new wave and alt-fringe rock circuit. Debuting on the big stage as a Zappa sideman in 1977, his grinding, screeching, tweeter ripping guitar formulations became a much sought-after elixir on records by the Talking Heads, David Bowie, Laurie Anderson and others.

As a producer, he demonstrated a keen ear for pitting texture against lyric, big sounds against small, the artist as provocateur of blue-noise chaos, sometimes its prey. As a solo artist, he modulated between Beatle-esque song economy, frequently dressed with bewildering sonic eccentricities, and flat-out experimental excursions into guitar technology.

And, of course, he wound up being the front man for one of progressive rock’s most revered and surprisingly resurrected franchises, King Crimson.

But there was time yet to get with the past, never a working musician’s favorite subject. He was buzzing on the upcoming tour with his Power Trio, with siblings Eric and Julie Slick, the former on drums and the latter on bass guitar.

“I am so excited by this band. Here’s the thing — four or five years ago, if you had told me that I’d be in a power trio thing, I wouldn’t have believed you. But the amount of energy and power that comes out of this group is just unbelievable. It’s really put the fire back into this material, and back into me.

“The show is a sort of a grand sweep of stuff — half a dozen Crimson songs, various stuff from my solo records. I do have some new material, but I’m not sure how much of it is really ready for the stage yet — things we’re still working on. Not sure if we’ll be playing them, but you never know.”

Belew says the group came about a bit by accident.

“Paul Green, who founded the Original School Of Rock in Philadelphia, asked me to come and be a guest professor. While I was there, he said, ‘I want you to meet my two best graduates, Eric and Julie Slick.’ These kids had grown up together with a dad who had something like 5,000 albums, and they just learned everything — King Crimson, Zappa, the Heads, and as it turns out, pretty much everything from my own solo career.

“So, I said sure, let’s play something. We tried an old Zappa tune, and they were completely on it. Knew every break and nuance. It was uncanny.”

Belew toured with the Slicks last year and recently released Side Four, a live document of the band in action in Cincinnati last February.

“It’s just such a wonderful feeling playing with these two. They’re so eager and so grateful to be up there playing this stuff… none of this jaded attitude, ‘Hey I got a mortgage to pay.’ None of that. This is pure fun. They’re in it for the music.

“It’s made me a better player. We include a fair amount of improvisation and no matter how far out there we get, they always come back together at the same time. They have this…”

Sibling telepathy?

“Yeah, that weird thing that some siblings have, like they always know what the other one is thinking. I mean, they’ve been playing together their whole lives.”

Scary thing though, isn’t it? The power trio has always placed a huge burden on the guitarist, carrying harmony and melody, setting the pace and textural profile, especially for a guy who’s standing in front of Robert Fripp for two and a half decades.

“No, it’s the just the opposite. I feel like it’s very liberating. It allows me to explore the songs a little more, take them places they couldn’t go otherwise.

“Stuff like ‘Dinosaur’ or ‘Three of a Perfect Pair,’ that’s material that wasn’t originally arranged for a trio, it was two guitars. Playing them on just one really opens them up.”

We asked Belew about a little video biography he has posted on his website, a self-narrated tour through his past and the vast associations (he’s played on over 150 albums) he’s enjoyed the past three decades. We enjoyed it — it was funny, proud without boasting, succinct and chock full of terrific images.

“Yeah, we did that a couple of years ago. I just thought I wanted something out there for those people who hadn’t heard of me… or who had but weren’t aware of all the things I had done. It was a fun little exercise. It made me go through a lot of archive stuff, a lot of stuff I had forgotten about or forgot I even had.”

We thought we’d throw out a name. Talking Heads.

“Yeah, I worked on Remain In Light, with Brian Eno. Then I went on to produce The Catherine Wheel, David Byrne’s solo record, and a couple of solo records by Jerry Harrison.

“The really odd thing was The Tom Tom Club. Chris [Franz] and Tina [Weymouth] invited me to their place in the Bahamas, just to play a few songs and have some fun. We never really intended to make an album, but then they put it out and it turned into this huge hit. We were totally caught off guard by it.”

But by far Belew’s best known association is as singer and guitarist for King Crimson — crafter of words and right-brain alchemist subversive to Robert Fripp’s merciless left-brain metronomic.

Fripp brought Belew onboard for a reformulation of the band in 1981 — a second guitarist, gasped the skeptical old guard — and Discipline (with its signature “Elephant Talk”), and its follow-ups suddenly re-animated the band, extending its life well into the new century. Belew’s manic, avant-informed lyrics and tortured guitar figures washed over Fripp’s meticulous guitar lines and arrangements like churning lava over a steam grate.

“When I started out as a musician, I guess I figured I would write some songs and just get a few on the radio, if I was lucky. But to me, the height of the rock thing was King Crimson, you just didn’t get any higher than that. And there I was, actually playing in King Crimson. I mean, I know how I got there, but it was a realization that I had come very far from where I thought I would end up. I wasn’t going to be a pop star, I was always going to be kind of ‘out there.’”

So, we’re in 2008, 40 years since King Crimson’s first appearance on the British rock prog scene, and we had to ask. Is King Crimson a chronic condition, or is Belew fully recovered?

“I’m afraid it’s a chronic condition. Right after the power trio wraps up its tour, Robert and the band will be knocking on my door. We’re going to do some rehearsals, maybe some new music, and I think we’ll be doing a few dates this year — probably Chicago and New York. I’d be surprised if we did much more than that. We may talk about tentative plans for next year.

“I don’t want to speak for him, but I think Robert doesn’t really want to travel very much anymore. King Crimson is a huge enterprise. Big production, big expectations. It can be exhausting, and I think Robert’s reluctant to take on too much of that these days.”

And what about you?

“I could do more than that, sure. I feel great and have every intention to play the rest of my life.”

Later,
xo

Blog Critics Reviews the Adrian Belew Power Trio

So how cool is this - Tom Johnson from Blog Critics was at the Adrian Belew Power Trio Show in Phoenix last night and has posted an awesome review:

Concert Review: Adrian Belew Power Trio With Opener Saul Zonana
Written by Tom Johnson
Published February 29, 2008


Photo of Eric Slick courtesy of Burton Lo

"Going to the show, I had no idea who was opening for Adrian Belew last night in Phoenix at the Rhythm Room. I only heard the guy at the door pronouncing the guy's name to someone in front of us - "Like 'banana' with a Z... and an O." As openers go, you usually don't expect much, but Saul Zonana scored immediately with, admittedly, a completely meaningless thing - his guitar, a Parker Fly, and one of the most beautifully painted guitars I've seen in recent memory. Green with purple and red swirls, it was gorgeous. Luckily, he actually had something musically substantial to offer - Beatles-y rock filled with lots of great hooks and clever melodies (I even caught a bit of King's X in his guitar tone - I'd be surprised if he wasn't a Ty Tabor fan.)

Performing solo, accompanied by a drum machine and backing tracks, he got a surprisingly good response from the crowd and, in fact, I headed over to the merch table and picked up his latest album, Love Over Money, which is as good as I was hoping it would be, and very close to the live show itself. Check this dude out.

We weren't but a few minute into Adrian Belew's show when a hassler began his loud, possibly drunken schtick: "I'M A LONE RHINO!" This, from the very back of the Rhythm Room, was delivered over and over again despite absolutely no acknowledgment from the stage. After a few minutes, the guy gave up and moved on, away from us, at least, and everyone around us looked relieved. You're a lone rhino, all right.

The guy wouldn't be getting "The Lone Rhinoceros" tonight. Adrian Belew's show hewed pretty close to the track listing of the recently-released Side Four Live (available only from his site, (signed) or (unsigned), but don't take that as disappointment. While they may have followed a similar setlist, they broke out in different directions at all points, including a couple of very long jams that, admittedly, lost their way occasionally. The thrill was really just seeing his new trio in action. Belew is backed by the young brother/sister duo of Eric and Julie Slick on drums and bass, respectively, whom Belew found at the Paul Green School Of Rock. (See, kids? It really is cool to stay in school.) The two make a powerful backing for the wild exploits of Belew, who needs something solid under him to stay thoroughly grounded.

As Belew put it at one point, "It's time for the difficult listening hour. Better put on your helmets," then launched into the very appropriately titled "A Little Madness." The power of this trio was best displayed here - Julie Slick laid down a huge bass line while Eric nailed an intense groove and Adrian whipped up a maelstrom, looping layer upon layer of squealing, twisting, turning guitar lines one upon another. When the insanity of the long piece was over, Adrian wiped the sweat from his face with a black towel, leaned in to the microphone, and said, "It's over, we're all safe."

Not only did we get a heavy dose of the past few Side albums, Belew picked through his older material, delivering "Young Lions," "Of Bow And Man," and a real crowd pleaser, "Big Electric Cat," among others. Two new pieces were unveiled for us, one, the simply titled "E," had only been played once before, while the other new one may not have even had a title, but Belew informed us that it was among material that the trio was working on for a new album. The trio closed out the show with a handful of King Crimson favorites that really got the crowd going, and it was a thrill to see and hear young Julie Slick nailing, once again (as on the live album,) Tony Levin's epic bass lines. She looked like she was struggling, but it sure didn't sound like it.

Belew, introducing Eric and Julie at ages 20 and 22, respectively, said, "Add up their ages and you get... " as he pointed to himself, then, laughing, he jokingly added, "You're not falling for it, huh?" But it's no joke that he's acting as a bit of a father figure up there on stage. The show was thrilling not only in that I got to see one of my heroes doing what he does best, but also because I got to see him being so supportive of these young musicians. When the opportunity presented itself, he urged the two to step up and take a moment in the limelight. Drummer Eric seemed more eager to take advantage of the opportunities, jumping in with small solos and fills wherever possible, but Julie, with prodding, stepped up, laying down openings to tunes here and there, impressing everyone in the audience, garnering a huge response from the crowd at the end of the night. As one guy near me said, "She is a seriously awesome bassist."

With King Crimson re-energizing for a short stint of active duty this summer with new second drummer Gavin Harrison (Porcupine Tree) on board, and hopefully some new material to come after that, Belew's power trio will be on the back burner for a bit. If you want to see this band in action, get out and do so now. Belew has never been more on top of his game and, solo, at least, has never had a more energetic band back him. Except maybe that "LONE RHINO!" dude - he can probably sit them all out."
********

Thank you, Tom - that was most excellent.

But for the record, there are plenty of Adrian Belew Power Trio shows planned for the rest of 2008 so there really isn't much of a back burner. There will be an early summer run in the U.S. and some pretty interesting places overseas in October/November. Stay tuned.

Later,
xo

Adrian Belew Power Trio: Phoenix, AZ

Wow, it was like Christmas and my birthday this morning waking up to these wonderful photographs, which Joel Klein sent to me at 2:30 a.m. after seeing the Adrian Belew Power Trio at the Rhythm Room in Phoenix last night. Joel met my family last year when they were on tour in Phoenix -- he's a professional photographer -- and he snail mailed me some amazing shots from their prior concert which are totally awesome. He showed up at sound check last night and took a whole new bunch of pics -- here's just a few which I absolutely adore:






And here's what he had to say about the show itself:

"I just got home and I am really beat...........was up Weds morning at 4am to get on a 6am flight to Las Vegas (building a Walgreens up there) and now it Thursday night, er, well Friday morning. I got to tell you how proud you must be of Eric and Julie. I just want to squish them. They are such nice people..........apples never fall far from the trees. What pleasures they are. They remind me of our kids, just so sweet to be around and polite, happy, humble!! Wow! As I type I am downloading 320 pictures I shot tonight. If I can I will send a couple over as I am not going to view them as I am wiped. Adrian and Martha are really good people too. I am fortunate to meet such wonderful folks, huh? As for the playing, what can I say other than, as usual was superb! Eric and Julie continue to blossom into really talented Musicians. I think the world of AB to have recognized and given such a great opportunity to them. Okay so I will send you shots in a different email so you can wake up to seeing your wonderful children. Send my very best to Gary and tell him we missed him (and you).............."

Thanks, Joel - that's amazing. And I look forward seeing more of your photos!

From the Planet Crimson forum board:

"I've read too many gushing reviews of this band to want to contribute another one. But I can't deny that it was a pretty great performance last night at the packed Rhythm Room in Phoenix. The set...was pretty much the same as before, Side Four with a couple of additions, most notably a crimsonesque new song Adrian said was only being played for the second time. But familiarity with the set didn't really detract at all from my enjoyment; it seemed fresh to me. I don't know if it was because they were playing differently or I was just swept up in the joy, energy, and enthusiasm of it all. For sure they sounded tighter than before. Like last year the Slicks impressed and moved me from the get-go; honestly more so than Adrian for the first few songs. Consider yourself lucky if they're coming to your town on this tour."



I have to giggle - the Julie Slick/Tal Wilkenfeld comparisons/confusion continues to percolate over at the Bass Player Magazine forum board.

And such nice things are being said over at the YES forum board:

"I have Side Four, and it's excellent! Just got it the other day . . ."

"They look like they're having a blast, man."

"I saw them almost two years ago at Double Door, which is quite a dive. They were great then. Julie Slick is a fantastic bassist and I remembered she played that night in bare feet--I believe she does that all the time."

"Saw them last summer here in Nashville and they were AMAZING!! I had concert high for DAYS!"

There's also a bunch of excellent comments over at the Adrian Belew Power Trio MySpace site - don't forget to friend them! It's hilarious to me that I've had a MySpace site for two years and have like 2,000 profile views -- the trio has had their site for six weeks and have close to 7,000. Actually, it's not hilarious, it's way cool, and I confess to still being utterly confounded by MySpace and therefore doing nothing to promote myself there...this blog takes a big enough chunk out of my writing time but oh how I enjoy it.

Continuing on, two days ago I posted that great pic of Julie wearing shades taken by Burton Lo and here's what he has to say in his blog, which includes a link to his fantastic photographs:

"I had the chance to spend an afternoon and evening at the Coach House ending with a raucous concert by several amazing musicians. The lineup included Tom Griesgraber on the Chapman Stick at 8p, Saul Zonana at 9-ish, then the Power Trio at around 10pm. Talk about a full night of music, and what incredible music it was!

I've almost always enjoyed progressive rock, though I found some of my early exposures to Gentle Giant and early Genesis to be not as exciting to me. When I found King Crimson in the 80s, though, I was hooked for a lot of reasons, one of the primary being Adrian Belew.

Learning about him after the fact turned up the fact that he'd been involved in several of my favorite bands including Frank Zappa, David Bowie, and other. He was, and still is, my favorite front man for a band and this current group of his is pretty much perfection for all involved.

I had the true pleasure to meet his band members, Eric and Julie Slick. I briefly met them a year and a half ago, but I got to see more of them on Sunday and I'm so looking forward to many years of beautiful music from these two. And, if he chooses, I think Eric's got a second career in slapstick because, you know, timing is everything...

Anyway, there are some shots from my afternoon watching setup all the way through the end of the show and after. Here's the link on Flickr..."

Okay, I've got my eye on a couple of people who aren't awake yet in Arizona who were at the show last night so as usual, if anything interesting pops up, I'll be back.

But if you are reading this now and are anywhere near Santa Fe, New Mexico, you can catch them tonight right here!

Later,
xo

A Little Madness...

"A Little Madness", also known as the "Julie Slick" show...ha ha, just kidding, but it's so cool to find a You Tube where you can really see and hear her clearly. Shot at the lovely Crystal Lake Casino in Lake Tahoe last Friday night.



Man, someone should send that clip to NFL Films or Comcast Sports or Fox Sports or the NBA or Major League Baseball or even the Olympics -- if that's not a song that should be blasted at sporting events I don't know what is.

Now this one is from Tuesday, 2/26/08 at the Belly Up. For me it's worth it to have a listen just to hear one of the audience members scream "Yo, Eric! You kick ass!" but the truth is, in talking with Eric, he had gear problems all night and no working monitors so this was his least favorite performance on the tour but still so good...it starts out with the King Crimson classic Neurotica, written by Adrian, and goes into the full version of Bow and Drum, which is one of my all-time favorite songs.



Okay, it's early in the morning but I wanted to put these up - be back in a few hours to add actual words to this post...

And sadly, R.I.P. Buddy Miles.

ETA: See, it's only 8:00 a.m. and I'm back already. Look at this awesome review of Side Four Live posted over at Progressive Ears:

"King Crimson fans! Guitar freaks! Or just anyone with an interest in incredible musicianship and fascinating sounds. If you've missed out on the greatest disc of 2007 (which was easy since it was only released in Nov and has been website-only so far), don't hesitate any more. Chances are most folks browsing this site already know the name, and if not, the resume (KC, Zappa, Bowie, Talking Heads, NIN, Tori Amos, Flecktones and half a million others) should speak for itself. The guy's one of the most innovative guitarists alive. In addition to being a wildly intelligent songwriter, he can make a guitar sound like anything from an organ to a telephone to an elephant.

If you know who he is already, this CD more than recommends itself. Adrian had already been on a creative streak with his series of three solo albums/EPs over the last couple years, but Side Four still blows them all out of the water. Just be careful it doesn't set your speakers on fire too.

Credit where credit's due: the injection of high-octane power chiefly comes from Julie and Eric Slick, who make up his current trio. Not only are they two of the most phenomenal players you'll ever hear for their ages (21 and 20), but Adrian is so fired up by their energy that he's churning out some of the most sizzling hot six-stringing of his career. (Yes, and that includes King Crimson.) Speaking of which, the KC material here is also as smoking hot as you've ever heard it. "Dinosaur" pounds as hard as the Thrak-era group ever did with half the people, and "Thela" is powered by drumming so machine-gun crazy you'd swear Eric was an octopus. Playing material this complex is like navigating a musical minefield, but these three pull it off with the precision of a Swiss watch and make it seem next to effortless. And though I say 'complex,' for the most part it's infectiously catchy as well. It's stuff you could play around the kids or the parents. (Although "Madness" might scare the cat a little. You've been warned.)

But as great as the songs are, just hearing the group play is what really makes the whole thing worthwhile. The interaction is worthy of a world-class jazz group. You can pick out any one of the trio to focus on for the entire running time and never be bored for a second. It's easy to focus on Adrian's guitar first, whether it's high-speed shredding or animal squeals and skronks, but it's your loss if you don't take the time to pick out just how J&E underpin everything too. There are crazy little licks and fills all over the place, and yet it never stops grooving like a rave party on crank. (Except for "Beat Box Guitar," which becomes a psychedelic head-trip that Pink Floyd would have been proud of.)

Click over to www.adrianbelew.net to find this one. Even if your wallet doesn't thank you, your ears will. And whatever you do, DO NOT miss them live. It's transcendental."

Later,
xo

Odds and Sods for Wednesday, February 27, 2008

Nope, as much as I wish it were true, I am not on a plane to catch my kids performing out on the west coast this weekend.

I'm busy writing a couple of new chapters and editing several others so (a) I'm kind of relieved the Adrian Belew Power Trio is off tonight and heading to Phoenix for their show tomorrow evening and (b) this is therefore an abbreviated post which...gasp...may actually talk about writing. But we shall see. I can never leave the music totally.

For example, have a look at this brilliant photo of Julie on stage at the Coach House show Sunday night. Unless I am mistaken, the pic was taken by uber fan Burton Lo, who did some amazing work last year, too.



No, no, I said this post was about writing. So let me direct you to my favorite cyber hang-out, LitPark, and an interview with Jessica Brilliant Keener -- and is that the greatest name or what?

I met Jessica at the BackSpace Writer Conference last May and she's amazing. I'll tell you what else is amazing - excerpts from her latest novel, which you can read here and here.

And I know most of my readers are musicians and/or music lovers so Jessica's novel will really resonate with a lot of you.

Speaking of music -- hahahahaha - you knew I would, but hey hey, it's connected with writing -- a few days ago, I mentioned that a film had been made based on one of my short stories (and yes, the link works today - I finally figured out how to do it because it was tricky and not one I could just copy)...anyway, the director, Jonty Reason, sent me a copy and Oh. My. God. I was so freaked out watching it I could hardly control myself. I mean, I thought it was "based" on my story; I didn't expect to hear actual dialogue, words I'd written, spoken by actors. I had the total chills; it was surreal. And the actor they hired to play God (well, God is actually a Guitar God)...holy crap...if I were twenty and single I'd be on a plane to Australia now, stalking him. Ha! His name is Ant Neate and I can't find him on Google images so Ant, if you google yourself and come across this, please oh please send me your photo so I can post it here and drive all of my female friends crazy. You really can't get a good idea from these tiny shots but oh well, I'm posting them anyway.




And yeah, the movie has now been accepted into four major international film festivals and I really really wish the Belew UK tour this fall (shhh...it's an unconfirmed rumor...yeah, that's what it is, a rumor...unconfirmed) would coincide with it but nope, the UK film festival is in June and unless a miracle occurs, I will have to be content with watching it on my own television here in Philadelphia.

Erm, ask me how many times I've watched it so far. It so completely blows my mind. Jonty did such an incredible job and he chose the most powerful scene in the story to film. I'm like a little kid jumping up and down. Trust me, I can't even imagine what it will be like to see a full length movie or television series based on one of my books...what I do know is that I will require CPR throughout the screening.

Anyway, I did say I was writing today and I mean it so I'm out of here.

For now.

Later,
xo

Tonight: Adrian Belew Power Trio in Solana Beach

Well, finally. A You Tube with not only decent sound and vision (though Ade does appear horizontally a few times and Julie isn't really visible) but one that features Mr. Eric Slick! This was filmed Saturday night in San Francisco, and to say I am psyched to post this is putting it mildly.



Oh, in case you are missing having a look at the magnificently gorgeous Julie, here's what she is usually up to offstage while Adrian is doing his solo performance in the middle of their set:



I really think the trio is pretty fired up now...four shows into their twenty plus show schedule and it's as they have been playing every day together for the past ten years. Yesterday was an off day, and the Coach House in San Juan was kind enough to let them use their venue for rehearsals...might they be adding a few new songs to their set tonight in San Diego/Solana Beach at the Belly Up?

Here they are really enjoying themselves following their final encore Sunday night and this photo pretty much says it all:



I see Julie also appears in yet another "beautiful chick bass player" commentary on the Bass Player Magazine Forum Board...

The praise keeps coming on the Adrian Belew Power Trio MySpace site and in the short time (only six weeks!) it's been up, there have been over 6,000 profile views and over 1,000 listens to "Three of a Perfect Pair".

If that's not exciting enough, today I received an email that there was a "new comment" on a You Tube of the trio I posted back in November, 2006:

"I saw these 3 in Cali a couple days ago and I can't stop listening to this song since! All 3 are AMAZING, and I can't believe how good those kids are it makes me want to cry and puts my 10 years of guitar playing to shame. Thanks for the video, so I can get my fix and kinda relive a couple nights ago!"

And oh my God, I just realized that the new edition of Philly Style Magazine is out on the newsstands today, and their website offers a sneak peak of the article about Julie and Eric (you need to scroll all the way down) and here's a small version of the photo, taken in my living room, which appears in the article:



Anyway, that's pretty much it for now but as usual, if more interesting stuff appears magically on the web today, I will be back. Tonight's show at the Belly Up should be awesome. There are some special guests who may be in attendance this evening and that's all I'm saying...usually whenever I spill the beans about something like this it ends up not happening so I'm going to stay quiet for now.

You have no idea how difficult that is.

Ha ha - or maybe you do.

Later,
xo

Adrian Belew Power Trio in San Juan

Oh man, I just read this review of the Adrian Belew Power Trio at the Coach House in San Juan, Capistrano last night written by "Dwight" and I had to come in and do another blog post:


A photograph of a very young Julie and Eric Slick taken by Gary Slick several years ago - posted just for fun
***************************

"This was my 3rd Trio performance that I attended. It was the best to date.

None of my ABPT virgin's that I brought have been able to sleep yet. The are still sitting in their living rooms with their hair blowing back like that old Maxell tape ad. Remember that? They went from skeptical (thinking it was going to be droning sounds capes...not that this would be a bad thing for me) to a ho-hum attitude about two average players on bass and drums. I kind of kept quiet and let it all speak for itself.

My friend Tanya was up front who was an original promoter for Zep, Joplin and Hendrix. She had seen Adrian but never seen the trio. I told them all to buckle their seat belts prior to the show because by the end of the evening you will have a favorite guitarist and he will be the best that you have EVER seen. Eric will be in your number 1, 2 or 3 spot on drums. Julie will be right up there with any of your favorite bass players. Well, after the show, I literally had to almost carry these folks out. Not only is Adrian their tops now. But Eric is at number one (he is their favorite of all time now).

To quote Tanya who is 74 years old and attends over 200 shows per year and
knows most of the top rock musicians in the world (she absolutely adored
Julie...who didn't?):

OMG....... ......... ......... ......... ......... Last night was unreal.

Those kids are something else.

Adrian was in rare form all night. I still can not go to sleep. I am still
thinking about that show.

Dwight you are right that kid on the drums is going to be big big.

It was so nice seeing you and your friends last night.

Your son is just a cutie Pie. So handsome.

I received emails from some of them who have dug up the petition for Ade's induction into the Hall Of Fame and are an the campaign trail now. He definitely deserves it. I know you folks know where it is. But I will be copying this review to many others:

Petition to Induct Adrian Belew into R&R Hall of Fame

Last night was a home run folks. A huuuuuuuggge HOME RUN. They knocked it out of the park. The energy was high and Adrian extended many songs due to his unrelenting energy. It is extremely fun watching Julie and Eric grow and mature into AMAZING musicians.

I see a lot of shows. This was my tops in a
lllllllllllllllllll lllllllllloooooo oooooooooooooooo ooooonnnnng time. My 9 year old was with me on a school night. Total child abuse and neglect. However, it was his favorite show at the Coach House. He has been to about 50 shows so far too. Thank goodness for Hearos!

To quote another friend of mine's Son last night after the performance who is aspiring to be a really good himself. "I THINK I JUST SAW GOD."

Per Ade's request, he might just see me at the Belly Up Tavern on Tuesday night.
*******
Okay, this may be my record breaking blog post day. We shall see.

Later,
xo

Adrian Belew Power Trio in San Francisco

So I'm still gathering various blurbs regarding the Adrian Belew Power Trio's shows over the weekend at Slim's in San Francisco on Saturday night and The Coach House in San Jua last night, but I hear the concerts are going fantastic and that the trio is really psyched for their upcoming gig tomorrow night at the Belly Up in Solana Beach (San Diego area). In the meantime, I wanted to post just one for now, and Mr. Zenberg, if you are reading this, I'm starting to connect the dots and realize you might be three different people I talk with...meaning, one man with three separate web identities? Or have I lost my mind altogether.

Anyway, here's his thoughts on Saturday night, aptly titled Rhapsody in Belew



"Gershwin Shmershwin - Rhapsody in Belew"

Slims February Twenty-third 2008

Super Tuesday found me in Boulder Creek, California. In this small mountain berg, I was driving, and made a wrong turn down a narrow alley that appeared to dead end at some housing. I realized the error of my way, and stopped so that I could back out. As I checked to make sure it was clear to proceed, I spied a familiar person walking briskly toward the fire station located across the street. The window powered down, and as we made eye contact, I said, "Hey, Jim, are you going to Belew?" Jim had no idea who I was, or what I was talking about, and replied, "Uh, I'm going to vote." gesturing to the polling station across the street. I realized that he didn't remember me, so I clarified, "Adrian Belew is playing at Slim's next month, and I was wondering if you knew about it."

"Adrian Belew?" he reiterated excitedly. "Yeah, on February twenty-third." I volunteered. "Is it sold out?" he asked. "I doubt it," I said, and continued to give him what details I knew. He said,"Thanks! I'll see ya there."** and quickly jaunted across Highway 9 to vote. I hollered, "Vote for Ron Paul" but I don't think he heard me.

Few people have influenced music more than Adrian Belew. Gershwin*** himself couldn't claim the monumental impact of this master of sound. Adrian Belew's list of accomplishments and collaborations would take a blog of its own to describe. Although Adrian Belew is virtually unknown to the masses, his name and influence is well known in the music industry.

The Power Trio Shows

I've seen Adrian Belew perform live a few hands full of times with various bands over the past couple of decades, and every time I walked away with my jaw dragging behind me.

A couple of years ago, my son and I drove to the "big city" to see Belew play at Slim's in San Francisco. That particular version of the Power Trio featured Ade's friends Mike and Mike, on drums and bass, respectively. We were surprised to find that Slim's was a tiny venue. Maybe I expected more grandiose ambiance for such a renowned performer... a musician who is no stranger to large coliseums. The show was great, and everyone had a really good time, and although the performance was no doubt better than anything else in town that week, or month... I somehow felt that Belew deserved more power than what the Mikes were willing or capable of contributing. Then came the Slicks.

Three of a Perfect Pair

A brother and sister duo, Eric and Julie Slick are the best thing to happen to Belew since the war. With these two solid young performers, Belew has everything he needs to pull off the best show you've ever seen, or heard. I saw them perform two nights in a row in November of 2006. At Montalvo in Saratoga, the California Guitar Trio opened and played a sparkling set. Adrian joined them on stage for their last tune, then CGT left the stage, and soon all three members of the latest and greatest incarnation of the Power Trio took the stage, prepared to blow the roof off the ritzy theater. Unfortunately, a dozen people or so stood up and walked out the moment the first song came to an end. Adrian looked stunned. How painful it was to watch as the ignoramuses mooing and bumping their way away from the loud rock music, and retreating to the safety of their multi-million dollar homes in the hills above Saratoga. "Good riddance," I said as I moved to a better location in the small theater. The show was great, but I suspect that the mass exodus may have affected the performers more than they made apparent.

On the following night, my friend Aaron, joined Mighty Mo and myself as we peddled our bicycles to the Catalyst in Santa Cruz to again see this powerful music trio. It was Aaron's first time to see Belew, and he said it was one of the best shows he had been to. Even though the trio played basically the same set as they had the previous night, it seemed like two completely different shows. No one walked out in Santa Cruz.

Return of a Crimson King

Last night the Adrian Belew Power Trio made their appearance at Slims... their fourth stop on their 2008 tour. Once again I was impressed at the quality of showmanship on the stage. The small venue was packed with barely enough room to walk around. Apparently news of these remarkable musicians has gotten out. The sound was crisp and clear, and thanks to my trusty ear-plugs, it wasn't too loud either. The three performed their set flawlessly, and presented the crowd with a fine selection of songs. Krimson fans were rewarded with a goodly number of King Crimson songs, such as Dinosaur, Frame by Frame, Three of a Perfect Pair, Thela Hun Ginjeet, and Elephant Talk. I was amazed to watch the Slicks play these complex pieces so proficiently. In my mind's eye, I could see Robert Fripp smiling."

* I met Jim at an Adrian show Belew at Slim's back in 2005.

** I did.

*** Gershwin shmershwin!
Rhapsody in Belew!
He doesn't hold a camel to you
*******
Then, through Ade's way cool Yahoo Group, The Tribe, the emails are starting to fly:

..."WHAT A SHOW! Maybe if I'd picked up Side 4 before last night I wouldn't have been as surprised. It really struck me as a Crimson show...Eric Slick really blew me away, and I'm crushing all over the bass player..."
*******

Ooh, and look what's on Parker Guitar's MySpace site. Cool!

Anyway, that's it for now, but I will definitely be back...

Later.
xo

Adrian Belew Power Trio: Highlights from Portland

Photographer Mark Colman has posted the most amazing photographs of the Adrian Belew Power Trio's show Wednesday night in Portland, Oregon, and I'll give you the link for the whole set below but first, here's a few which really blew me away and I have to also include some of his descriptions:

"The Muse and I took time to watch the Lunar Eclipse on the way to the venue. It surely meant that something wild was going to occur. When we arrived, we found a choice spot right in front of the venue. Of course, we went around back and as luck had it, we were able to get backstage! There, to our amazement, we saw a real Rock Star getting a massage! That's what they do before gigs, you know. We weren't sure who it was, but we snapped this picture before we were thrown out by a large burley man named Elmer who smelt of dank diapers."



Hmm...who could possibly be getting that massage. Let me guess:



And here are some shots of Adrian, Julie, more of Eric...they just look like they are having the most awesome time on stage, don't they?













Here's what else Mark had to say about the show:

"What a gig! The trio are better than ever! They had to start this tour with no rehearsals! As this show was the second night, it is amazing that they were so smooth and fluid. It was a real treat, in a great venue, with a great audience. By the shows end everyone was on their feet and dancing.

I was thrilled that the lighting was the best that I've ever shot the band in. Give me light and I can do my job properly.

They were selling spiffy tee-shirts with that freaky image by that weird photographer, Kram Namloc. The posters (with the same image) looked amazing too. It was a kick to watch people buy them.

I'd like to thank Ade, Martha, Jules and Eric for being so kind to us. We felt like we were part of the family. Thank you.

If you get a chance to see them, don't miss it as they really are getting better all the time and that's saying a lot.

If you'd like to comment on the images or the performance please do so here.

(You will have to register to comment but it's a very cool site and well worth it)

And to see the rest of the photos, go here.

And earlier today, I got the most amazing email from a graphic designer named Dan DeGraw who was at the Portland show:

"You should be the most proud mother on the planet! A friend of mine bought tickets and asked if I'd be interested in going. I had heard of Adrian Belew/King Crimson, but wasn't too familiar with his work, really. I more or less just wanted an night out. Being a father of two young girls(10 & 5), I don't get out much. I had ZERO expectations. My GOD! Eric is one of the most amazing drummers I've ever seen. I've played since 4th grade, but haven't owned a set in 18 years, so I can really appreciate the skill and hard work and talent from beyond that he has. And Julie...simply incredible. An inspiration to me and my 10 year old. She's just taken up cello this year and I've been trying to get her to try out the electric bass I bought last year. When I woke her up this morning, Julie is all I talked about. I said "you know the movie School of Rock?" She took lessons there and is now a rockstar, playing that instrument (pointing to the bass on her wall)! She wants to start writing her own music and wants to be like Julie now. Rock camp for girls, here comes my daughter! Eric has inspired me to buy another drum kit and get after it again. The energy he possesses...he was practically glowing and feeding it into the crowd. Such an amazing show and such amazing musicians you've raised. After the show my friend and I were reeling in amazement and we both noted the same thing. While Adrian is almost always looking at Eric for cues...Eric is looking past him at Julie. It really seems like she is the one in charge, even though it's Adrian's band. She's like the female Fonzi. 1000 times cooler than Leather Tuscadero.

Anyway...I'm far from speechless after last night. I want to tell everyone I know to check out this amazing new trio.

Dan in Portland"

Ha ha - tell me I didn't love that!

Okay, that's it for now.

Maybe...

Later,
xo